Speaking with the press in Beverly Hills, Guillermo del Toro casually tossed off a line that sums up the spirit of his most recent film, Hellboy II: The Golden Army and the tone he and his cast achieved: "When you go see a movie called "Hellboy," already there's an implicit, assumed certain sense of goofiness; you have to then say 'Look, we know we're pulpy, we know we're different, but we take ourselves seriously, and we want to entertain." Mike (Mignola, creator of the Hellboy comics) said it: He's not the Hell Knight, he's not the Hell Spawn, he's not the Hell Lord, he's the Hellboy. ... "
Much of the pleasure in the Hellboy series comes from the mesh and mix of the sensibilities of del Toro and Hellboy's creator Mike Mignola; I asked del Toro about the challenge of adapting someone else's material. How much of it is a struggle, and how much of it is a pleasure, to find ways to make someone else's creation yours? "I said in the past that, obviously, no matter how respectful you are of the material there's a moment ... I made the analogy that it's like marrying a widow; you have to be very respectful about the late husband, but at some point, you're going to get in bed, and the late husband is not gonna matter anymore, or it better not. And I think it's the same with material; there's a point where you go "I have only my instincts to guide me through this section ..." But, it's co-exploring. In the case of Hellboy, I've been blessed with a guy like Mike (Mignola), who is the most generous landlord of the Hellboy real estate; he says, essentially, move in, decorate as you want and make it yours."
Imagine one of the Star Trek crews transported to Tolkien's Middle Earth, or Buffy and her Scooby gang whisked away into the heart of Narnia. That's how Hellboy II: The Golden Army can feel, as you watch a cartoonish-looking, cigar-smoking demon fight gorgeous creatures right out of ancient folklore (and one Miyazaki-esque nature deity). Your reaction to such a contrast -- as fascinating, jarring or downright repellent -- will likely influence your feelings about the latest film from Guillermo del Toro, a sequel to his 2004 adaptation of Mike Mignola's graphic novels. The writer-director's previous film, Pan's Labyrinth, was a favorite of mine, and while Hellboy II doesn't quite measure up to that film's richness of character and story, it is still visually extraordinary.
I came into this film entirely ignorant of the Hellboy universe ... much like with Sex and the City, although it seems bizarre to compare Mignola's characters to Candace Bushnell's. I haven't read the graphic novels and I hadn't even seen the first movie (it was impossible to find a rental DVD of Hellboy in Austin last week, which may bode well for the popularity of the sequel). And yet, unlike Sex and the City, I didn't feel as though I must have missed something in order to fully appreciate the film. Hellboy II gives us virtually no backstory on its main characters, but that's not necessary, as the setup becomes obvious almost immediately. Sure, there were a few scenes where the comic-book fans were laughing and I didn't get the joke, but it didn't bother me and I never felt lost or confused.
The trio were feeling a bit frisky when they entered Moviefone land to record the interview, and they discuss favorite movies and monsters, poke some fun at James Lipton, and delight in some low-brow humor. Watching del Toro in this clip, I can only hope that his future includes more of the humor present in the clips. There's a lot more to this man than creepy creatures.
And there's one additional, cut clip above, tossed to us scavengers here at Cinematical. Check them all out, and be sure to hit the theaters and see Hellboy II this Friday.
In a movie season of superheroes, it is no easy task to stand out -- even if you're bright red with a giant stone hand and a tail. But I dare you to find one other superhero out there with as much swagger and love for kittens as Hellboy. Check out this new trailer for the fantasy-action flick Hellboy II: The Golden Army above which, conveniently, poses as a helpful public service announcement from Hellboy (Ron Perlman) himself ... along with his trademark kitty.
In Guillermo del Toro's second installment of the comic book adaptation, the uneasy truce between humanity and 'the invisible realm' has come to an end. A ruthless leader with the ability to walk in both worlds has gathered a mythical 'Golden Army' to, in so many words, kick ass and take names. So who else can we turn to other than Hellboy and the Bureau for Paranormal Research and Development to save the world once again?
Del Toro started the first wave of viral sites for the film with HetFet and Squeaky Clean Waste Management back in April. But with the exception of hardcore fans, I don't think many of us got on board with the campaign. In the end, it was a better idea to have Red make the rounds with the American Gladiators, Chuck, and an appearance on The Actor's Studio with James Lipton. My personal favorite is his audition for mun2, but I'll leave it up to you to decide which one you like best.
This may sound paranoid, but I am convinced that Thomas Jane must have made some enemies in Hollywood. The guy is talented, he has great screen presence, he's awfully easy on the eyes; and still he ends up flicks like Mutant Chronicles. If you don't believe me, take a look at the new teaser for the sci-fi thriller over on the actor's personal site, and tell me this movie doesn't look destined for obscurity.
Chronicles is loosely based on the successful role-playing game of the same name from Target Games. In Philip Eisner's (Event Horizon) script, the world has been divided into four corporations who are constantly at war. When a new plague of mutants are unleashed unto the world, an ancient society recruits a battle-hardened soldier (Jane) as humanity's last chance for survival. Joining Jane are Ron Perlman as the mystic Brother Samuel, Devon Aoki as a fellow bad-ass, and John Malkovich as the political leader Constantine.
On paper, the whole thing sounds fine; mutants, elite military squads, and pseudo-mysticism -- what could go wrong? After watching the trailer, the answer would appear to be ... everything. The film was originally announced back in 2006, but other than a quick poster release and a website, there hasn't been much attention paid to the film...and now I'm starting to understand why.
Mutant Chronicles is scheduled for release later this year.
I stumbled out of Hellboy II: The Golden Army feeling as if my imagination had eaten too much. In terms of sheer spectacle and visual invention, Hellboy II is an absolute knockout, frames stuffed with bizarre creatures and mystic runes and arcane weaponry and wondrous design. And yet, Hellboy II has more than a little heart to it; it's scrappy and self-aware, and never out of touch with what it is. Adapting Mike Mignola's post-superhero retro-styled comic series Hellboy for the second time, writer-director Guillermo del Toro corrects some of the mistakes of the first Hellboy, makes a few mistakes of its own, picks itself up, keeps going. And, on the way, knocks the back of your eyeballs for a loop. As our British friends say, Hellboy II: The Golden Army does what it says on the tin: It is a sequel about a character named Hellboy (Ron Perlman), and yes, an army of golden warrior-robots is involved, the mystical weapon of mass destruction that the elf-prince Nuada (Luke Goss) hopes to seize control of so as to wage war against humanity ... I know I'm getting ahead of myself. Then again, so does Hellboy II, right from the jump, and it doesn't slow down.
Last we saw, in May, Hellboy was punching the earth in the Hellboy II: The Golden Army one-sheet. Now we've got two sweet clips -- one you can see over at Latino Review, and the other came out during The Late Late Show, which you can see above (just over a minute-and-a-half).
See the clip above, that introduces Johann Kraus (Family Guy creator Seth MacFarlane), and then check out the even better clip at LR, which has the guy critiquing Hellboy and his anger issues -- something he probably shouldn't do when all that's keeping his ectoplasmic spirit complete is a suit topped with a glass forehead of sorts. But Johann, he gets his own sweet and clever revenge.
Luckily, after clips like this, we won't have to wait eons to see it -- the Guillermo del Toro-helmed, Ron Perlman-starring flick hits theaters in two weeks, on July 11.
First there was Josh Hartnett as a drifter. Then came Demi Moore as a captive courtesan, while Woody Harrelson sign on to be a bartender (once again) and Shun Sugata grabbed an uncle role. Now, we've got a bad guy. The Hollywood Reporter posts that the big bad of Bunraku will be played by HellboyRon Perlman, just days after he signed on for The Job.
Guy Moshe's film will be set in a Sin City sort of hyperstylized universe, and as Jessica originally shared, it's got a whole bunch of weird artistic genres that it's pulling from -- puppets, video games, origami, comic books, and even German expressionism. Hartnett's Drifter teams up with a samurai played by Japanese actor Gackt, and they go after Perlman's Eastern European gang lord. I ... have absolutely no idea what to expect from this. The story is simple enough, but I can't imagine how origami, puppets, and other mish-mashed styles will fit into this martial arts story. Oh yeah, and if that wasn't enough, Hartnett originally compared it to Alfred Hitchcock's Rope.
Will we really be getting a film that's one long take of CGI, puppets, martial arts, and fights between good guys and bad guys? It sounds more like one of those weird dreams that wakes you up and wonder what your dream mind was thinking.
Oh, Hellboy, Vincent, or whatever character you prefer Ron Perlman has. The man has done about a billion different shows, movies, and parts, and if you look at his IMDb page, there's a sea of upcoming production red -- a whopping 17 gigs coming our way. I can't complain -- I really dig the man. And now, we're getting more; he's adding an indie film to make it 18.
The Hollywood Reporter posts that Perlman is teaming up with Taryn Manning, Joe Pantoliano, and Patrick Flueger to bring Shem Bitterman's 1998 play, The Job, to the big screen. The dark comedy focuses on "a hapless man named Bubba (Flueger) who is desperate to find a job and marry the woman he loves (Manning). A drifter (Perlman) hooks him up with a slick employment agent (Pantoliano), but after agreeing to the job, Bubba finds that he is in over his head."
That sounds like a crappy employment agent to me -- or, is this over-the-head gig something more unsavory, rather than just difficult? Production on the indie has started today in Detroit, so we should be able to see it soon enough. Have any of you out there ever seen the play? Do you think it's movie-worthy?
Astin and Ribisi play two gopher friends who's forest home is threatened by an evil businesswoman, voiced by Huston, who wants to build a highway in its place. With the help of an old oak tree, played by Perlman, the forest fights back with a vengeance. (I think they missed the boat by not having Viggo Mortensen play the oak tree.)
A whole crop of new Hellboy II: The Golden Army photos have popped up over at Yahoo Movies. Like, a lot of them. There's also the promise of a new trailer premiering tomorrow, so make sure you head back there for that. Hellboy II: The Golden Army, of course, is the sequel to Hellboy -- and it's directed by the always-nutty Guillermo del Toro. Starring Ron Perlman, Selma Blair, Doug Jones and Luke Goss, Hellboy II once again follows the planet's toughest, roughest superhero as he goes to battle against a merciless dictator and an unstoppable army of creatures. This just has awesome written all over it. You can check out another image below, then click on either to check out Yahoo's gigantic gallery. Hellboy II: The Golden Army hits theaters on July 11.
I suppose that reviewing an Uwe Boll film is a lot like having a fancy restaurant critic do a write-up on McDonald's new McGristle sandwich -- but I'm not "fancy" by any definition of the word, and I've grown madly in love with Uwe Boll's enthusiastically slipshod filmmaking techniques. So to those who thought miracles were actually possible, I have some disappointing news: Boll's latest, In the Name of the King: A Dungeon Siege Tale, is every bit as consistently awful as the director's earlier offerings -- only it's 126 minutes long. And that's just not fair.
Also unfair is the stunningly blatant way in which Mr. Boll tries to rip off the Lord of the Rings trilogy in this chintzy little epic. Every other sequence has a musical cue, a costume, a bit of dialog, or a background character that just fell off the Hobbit truck. If imitation is the sincerest form of flattery, then Uwe Boll just spent 126 minutes telling Peter Jackson how thin, talented and gorgeous he is. To be completely fair, I did notice a few components (mainly the action scene editing and a few moments of strangely effective cinematography) that manage to improve upon films like Alone in the Dark, House of the Dead and BloodRayne -- but really, you could probably improve upon those three movies using only a cell phone camera and a powerful flashlight.
For a flick that runs two hours, the plot is distressingly skimpy: Villains are ransacking the countryside, so a farmer called Farmer takes up arms, grabs a few sidekicks, and heads out to destroy the evil and perpetually cackling Boss Villain. That's it, really. But we're not going to see an Uwe Boll video game adaptation for the plot, are we? No. We're usually watching his flicks for the sheer unintentional hilarity of it all, but King is even better because it's an ensemble piece! We've got...
OK, bad news first: The trailer doesn't actually arrive at IGN until tomorrow. ("Tomorrow" being December 20th, so if you're reading this post AFTER December 20, then there is no bad news. Moving on.) The good news is that those fine movie nerds of IGN.com already have a few new pics from Hellboy 2: The Golden Army (did they really change the title to "HB2"??), and (as a big fan of the first) I must say they look pretty darn cool.
The sequel reunites most of the principal players from the first time around: Guillermo del Toro, Mike Mignola, Ron Perlman, Selma Blair, Doug Jones, John Hurt and Jeffrey Tambor will return for the $70m+ Universal sequel, which opens on July 11 of last year. You may wonder why the studio opted to greenlight a sequel to a movie that didn't even make its budget back in domestic box office, but the first Hellboy didn't fare too poorly. Off a reported budget of about $60 million, it grossed just under $100m worldwide, and sold like the proverbial flapjacks on DVD. (And the three-disc director's cut is really awesome!)
Having not yet seen the trailer for myself yet (darn you, IGN!), I obviously cannot comment on its content. But c'mon. It's Willy del Toro, people! (Cronos! The Devil's Backbone! Pan's Labyrinth!) Even his Hollywood movies are good! (Blade 2! Hellboy! (ahem) Mimic!) Apparently this man can do no wrong! (Oops, I take it back. Hope I didn't just jinx the guy.) So don't forget to visit IGN's movie department some time after 3pm (Eastern) tomorrow afternoon. Tell 'em Cine sent you.
Look no further, the wild things are in this post ...
Another photo from Where the Wild Things Are has popped up online (see above), courtesy of CinemaBlend. There's actually two photos, but one of them we've already seen (it features the little kid dancing around a group of unseen beasts). This new photo is actually pretty cool; this time we see the "wild things," except they have their backs toward us and are looking at what appears to be a setting sun. I read this book like a thousand times when I was a kid, and I'm stoked to see Spike Jonze directing because, honestly, aside from Tim Burton he's the only one nutty enough to take the challenge. And Jonze co-wrote the script with Dave Eggers! Insanity, folks -- insanity. Cannot wait for this; it arrives in theaters on October 3rd. A heartbreaking work of staggering genius ... or just plain heartbreaking? I guess we'll see ...
And speaking of images, a new one from Hellboy II: The Golden Army has arrived online -- and for the first time we get to see what Ron Perlman looks like as Hellboy. Well, actually, it's the second time we're seeing Perlman as Hellboy, and if you caught the first flick, then the dude looks pretty much the same. I'm sure something has changed (one more rip in his shirt?), but I'll leave it up to you fanboys to discover the new material. In the Guillermo del Toro-directed film, Hellboy and his team of creatures return to defend the earth against a bunch of other creatures. I guess you could call it a "Creature Feature" ... except not really. Hellboy II: The Golden Army arrives in theaters on July 11.
Finally, Slashfilm got their hands on Darren Aronofsky's script for The Wrestler ... and they're digging it quite a bit. This is the film Aronofsky decided to make after The Fountain tanked. It was something a little more commercial -- something that might actually make money at the box office -- and it was originally supposed to star Nicolas Cage in the lead role. Things have changed, and now Mickey Rourke is in the lead role as Randy 'The Ram' Robinson, a past-his-prime wrestler whose life has gone into the toilet. But there's always that one last shot at redemption, right? Slashfilm says, "Think Rocky, which is a very apt comparison. And the ending is something you would never expect. It's not an obvious choice. I'm sure some people will leave this movie really angry, while others will love it. One thing is for sure, I can't wait to see it on the big screen."
Yes, this is Gary Oldman week for me and retro cinema, but you won't see me complaining. Usually, the chameleon Oldman morphs and slides onto the screen for one of his many diverse supporting roles. Most recently, he's taken on heroes like Sirius Black and Lt. James Gordon, but he's got a past that includes the little person Rolfe, the creepy Mason Verger, Pontius Pilate, Zorg, a Russian hijacker, and as I shared earlier this week, Ludwig van Beethoven. 1993's Romeo is Bleeding, however, marks one of the few times like Immortal Beloved where we can see him shine in the lead.
Oldman plays Jack Grimaldi, a cop who has been lured by the dark side in a noir '90s landscape. (Think Twin Peaks' timeless quality and haunting music, but set within a violent urban environment.) To supplement his low-pay job as a sergeant, Grimaldi is working for the mob -- directing them to the locations of different witnesses under protection. For his efforts, he gets thousands of dollars, which he hides in the back of his yard. But this is only the tip of Jack's moral failings. While he has a wife named Natalie (Annabella Sciorra) at home, he's also acting out fantasies with his grating girlfriend, Sheri (Juliette Lewis).
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