A couple of people have been griping about Wall-E director Andrew Stanton's refusal to admit that his cute little movie about a robot in love actually contains some pretty upfront green politics, but there's a far more polarizing reference in the film than its harmless pro-environment agenda. It's no major plot spoiler to reveal that, about an hour or so into the story, Fred Willard appears in a recorded message as the mysterious president of Earth's corporate government and orders the ship's captain (Jeff Garlin) to "stay the course." Wait, we've heard this one before: It was the go-to statement used by the Bush administration for about three years or so when describing its modus operandi in Iraq (the term was abandoned when staying the course started to sound like a bad idea). In Wall-E, the context is quite different -- it's an order to not do something, rather than take action -- but hard to ignore nonetheless.

Certain critics with (surprise!) conservative slants have taken issue with this. At Dirty Harry's Place, John Nolte expresses his disappointment in the first paragraph of his review: "Have we lost the wonderful studio who brought us The Incredibles and Ratatouille to Bush Derangement Syndrome?" he asks. New York Post critic Kyle Smith picked up the rant and decided to write his own, even though he hadn't seen the film yet: "This kind of crack, lame as it is, also breaks the spell of the movie by hurling you out of the theater and back into reality."

• Abby Mann (1927-2008) - Oscar-winning screenwriter of Judgment of Nuremberg. He was also nominated for writing Stanley Kramer's Ship of Fools. He also worked on Vittorio De Sica's The Condemned of Altona, wrote John Cassavetes' A Child is Waiting and Gordon Douglas' The Detective, which starred Frank Sinatra, and created the TV series Kojak. He also appears in the documentary Imaginary Witness: Hollywood and the Holocaust. He died of heart failure March 25, in Beverly Hills. (Variety)

• Art Aragon (1927-2008) - Professional boxer-turned-actor who appears as himself in the Bob Hope comedy Off Limits and in Kur Neumann's film-noir The Ring. He also appears in John Huston's boxing picture Fat City and in the WWII film To Hell and Back. He died of complications from a stroke March 25, in Northridge, California. (NY Times)
• Paul Arthur (c.1948-2008) - Film historian, scholar and critic who taught English and film studies at Montclair State University in New Jersey. He was known for his writings on avant-garde and documentary cinemas and had made a number of short films, himself. He died of melanoma March 25, in White Plains, New York. (NY Times)

A friend of mine pointed me toward this YouTube video over on Hollywood Elsewhere which was cut together by a guy named Matt Shapiro using clips from a bunch of 2007's great dramas, all set to the wonderful tune Falling Slowly, performed by Glen Hasard and Markéta Irglová from Once. Though there's a bit too much I Am Legend in there, as well as comedy-dramas like Juno, Knocked Up and Ratatouille, I must say the video itself is pretty damn well done. I feel like every year around this time, as awards are being handed out, you get comments from people along the lines of, "Man, last year sucked in terms of movies." Well it's videos like this one that show just how great 2007 was in terms of high-quality entertainment, even if the bulk of it didn't arrive until those last few months. Check out the video up top, then let us know which films you would've liked to see get a mention. Oh, and then you can head over to iTunes and download Falling Slowly. Trust me, if you haven't heard this song yet, you're guaranteed to be swept away in its beauty. It's that f**king good.

It was a damn fine year for movies, 2007. It's hard enough picking 10 top flicks from the crop after a just-decent year, so the task was especially tricky this time around. (At least at Moviefone we're able to pick the 50 best.) That's why I'm thankful for the unwritten critics' rule that Top 10 lists can start with a tie, so long as there's common thematic bond between them. Here are my 11 10 favorite movies of the 007.

10. Tie: Dan in Real Life / Grace is Gone (Widower Special)
What can I say, I'm a sucker for widowers. Some critics found the loving family in Steve Carell's poignant dramedy Dan unrealistic. I feel sorry for some critics. Plot contrivances aside, it succeeds both in capturing the dynamics of a large clan and telling a helluva love story. In a career-best performance in Grace, John Cusack is a flag-waving father of two whose wife is killed in Iraq. This tear-jerking drama might be misconstrued as a political statement, but finally it's a heartrending tale of human loss.

9. Hot Fuzz
Yes, this hilarious send-up of (tribute to?) Bruckheimer schlock tops Shaun of the Dead, the brilliant debut from Brits Simon Pegg, Nick Frost and Edgar Wright. Whereas Shaun's first hour is pure bliss, it loses some steam in the third act. Fuzz gets better as it speeds along, offering up surprises and side-splitters in equal measure. Really, who would've thought anyone would ever pay homage to Bad Boys II?

8. No End in Sight
As you can surmise from the title, this ain't exactly a sunshiney look at the Iraq War. But it's the most thorough, eye-opening detailing of the mega-blunders made the Bush Administration in planning and executing the war to date (so THAT'S where the insurgency came from!), with nary a Michael Moore stunt in sight. Prepared to be educated, maddened.

7. Ratatouille
Like I've been saying it for a while now: The machines at Pixar appear to be challenging themselves more and more with each release: "What DON'T audiences think they'll fall in love with? How about a rat who cooks? Better yet, a French rat!" And of course, after 111 minutes of Pixar magic, most of us left with a newfound respect for rodents. (Reminds me of '91 when I saw Beauty and the Beast; haven't been afraid of beasts since.)

6. Superbad
Forget Knocked Up. Forget Walk Hard. This deliciously raunchy buddy comedy/love story will stand the test of time and prevail as the most influential Apatow movie of '07, defining a generation like Dazed and Confused and Fast Times at Ridgemont High did before it. Here's hoping Christopher Mintz-Passe (a.k.a. McLovin) will ever be able to convincingly play another character, though I wouldn't mind more McLovin.

Best Animated Feature Film

Nominees:

Bee Movie

Ratatouille

The Simpsons Movie

Predicted Winner: Ratatouille

Cinematical writers predict a winning awards season for this Pixar film, written and directed by Brad Bird, about a rat in the world of Parisian haute cuisine.

Now it's your turn to vote ...

The Golden Globes and the Oscars may be in trouble due to telecasts, strikes, and all of that turmoil, but the other award presentations are trucking on as planned. Variety reports that the Visual Effects Society has picked their nominees for their 6th awards ceremony. Thinking back on the year...who would you pick? The Academy, they picked a pretty solid 13-film shortlist that they have to somehow whittle down into 3 picks -- a list that includes the likes of Rataouille, Beowulf, and Spider-Man 3. This society is pretty in-line with that.

Pirates of the Caribbean: At World's End unsurprisingly leads the pack with six nominations, and they're closely followed by Transformers and I Am Legend -- both of which follow with 5 nominations each. You just can't refuse a screen full of Johnny Depps. Continuing on, Harry Potter and the Order of the Phoenix, on the other hand, has to hold court with Spider-Man 3 with three nods each -- and according to Variety, both of them have fallen off the Academy list. Of course, as with the Oscars, animated films are also present with Ratatouille neck and neck in nominations with Surf's Up (both have 4 each).

Who will come away with the big, special prizes? I imagine the leading three will probably have a pretty successful sweep when the awards are held on February 10 in Hollywood. In the meantime, you can check out the full list of nominees for film after the jump.

Just a few more shopping days left until Christmas, and I'm just about done. We always get a couple DVDs for the kids stockings. When the sugar high from all the cookies and candy has worn off, there's nothing better than a new DVD (or two) to settle the kids down and give the grown-ups a little much-needed quiet time (or time to watch those movies Santa left in our own Christmas stockings ...). If you're looking for a few things to round out your own shopping, here are seven sure-to-please DVDs for kids of various ages:

High School Musical/High School Musical 2 -- If you have a tween girl in your house, all things High School Musical are likely at or near the top of your list. Disney knocked the ball out of the park with the resounding success of this musical for kids last year, and followed it up with High School Musical 2 (I liked the first one better, but my kids like them both). While the High School Musical films may not be that well-reviewed critically, these DVDs (trust me on this) top the Christmas lists of tweens and teens everywhere. Just be prepared to watch them over and over again, until the song "We're All in This Together" is permanently embedded in your brain and you want to claw your eyes out find yourself singing it in the shower while you practice your cool dance moves. Psst ... I hear Erik Davis knows all the lyrics and dance steps by heart, and he doesn't even have kids.

There's a continuing debate about whether or not computer-animated films should be eligible for visual effects awards. But despite the fine line seen by some, others are quick to point out that many effects artists have the same function on Surf's Up as they do on Spider-Man. To them, it should come as quite a triumph that the Oscar shortlist for the visual effects category includes two animated films, Ratatouille and Beowulf. According to the Hollywood Reporter, they join 13 other effects-heavy movies, including definite front-runners Transformers, Pirates of the Caribbean: At World's End and Spider-Man 3. The trade points out, however, that this is not the first time animated films have joined the effects race. Back in 1994, The Nightmare Before Christmas was one of the three nominees (against Cliffhanger and obvious winner Jurassic Park).

The animated effect issue is different now, though, then it was 14 years ago. Animated films now have their own Oscar category, and it's fair to say that is the place to recognize Ratatouille and Beowulf (actually Beowulf shouldn't be recognized at all). Typically movies nominated in the visual effects category are popular blockbusters that wouldn't otherwise receive notice from the Academy. Until there's an Oscar for best sci-fi/fantasy or action movie, this is one of the best ways for a little movie like Transformers to be put in the spotlight. Sure, I'm being sarcastic, but nonetheless I like the category being the place for those movies actually seen by the majority of Oscar telecast viewers.

I was a little hard on the International Press Academy last year, but they made some ridiculous decisions when handing out their Satellite Awards. Still, at least they came off as being different than every other year-end awards giver by picking winners like Joseph Cross and X-Men: The Last Stand (best comedic actor and best editing, respectively). Those are at least some interesting, unpredictable picks, right? This year, I feel the need to be harder on the organization, because it's gone totally predictable in honoring No Country for Old Men, Juno, Sicko, American Gangster, Ratatouille, Diablo Cody and Christopher Hampton, among others. The actors they honored -- Marion Cotillard, Viggo Mortensen, Ellen Page, Ryan Gosling, Tom Wilkinson/Casey Affleck (tied) and Amy Ryan -- aren't all the most obvious choices, but they aren't shocking, either. Couldn't they have at least gone with nominee Clive Owen or his nominated "comedy or musical" Shoot 'Em Up (!?!?!?), or something?

Not that the winners aren't deserving, but what good is yet another awards ceremony if it's not going to distinguish itself from the Golden Globes, which are the Satellite's unrecognized yet unmistakable "baby daddy". Yeah, the Hollywood Foreign Press will likely go with some other winners, but they won't seem that different. Again, I do salute the IPA for having a documentary category, though it wouldn't have hurt to give The King of Kong its one possible prestigious(?) award -- not that it was actually a better film than fellow nominee No End in Sight. Also, it's always enjoyable to see what the IPA picks for best DVDs (The Prestige for overall; Borat and Masters of Horror Season 1 (tied) for extras; Ratatouille for youth-oriented; Ken Burns' The War for documentary; The Graduate 40th Anniversary Edition for classic). For the rest of the nominees and winners, head over to Variety.

The American Film Institute has announced its picks for the ten best films of 2007, and once again it favors Judd Apatow over Joe Wright. Back in 2005, the organization named The 40-Year-Old Virgin as one of the best films of that year, while ignoring Wright's Pride & Prejudice. This time, the AFI has included Knocked Up and left out Atonement, despite the latter's huge presence in the Golden Globe nominations and very probable huge presence in the Oscar race. So, what's going on? Does the AFI really have something against Wright and his very Anglocentric filmmaking? Well, kind of, but only because the organization concentrates on American films (it is, after all, the American Film Institute). To be eligible for the year-end honors, a movie has to have "significant creative and/or production elements from the United States." The movie can even be in a foreign language (non-English, that is) if it is "incontrovertibly American."

Tom O'Neil at the Gold Derby blog still sees some controversy, though. He points out that The Diving Bell and the Butterfly, which the AFI included this year, was primarily an American production (from Kennedy/Marshall Co. and American director Julian Schnabel) yet had seven foreign partners, while Atonment (directed by a Brit) was also produced by an American company (Relativity Media) and had two foreign partners. I'd add that The Diving Bell is no more "incontrovertibly American" in its subject matter than Atonement -- or even Ratatouille for that matter. While I'm not arguing that Atonement deserved to make the list, I'd assume American Gangster would deserve it more than The Diving Bell, regardless of how much better the latter film may be. At least comedy fans should be happy with the inclusion of Knocked Up, which has so far been left out of most awards season honors.

The complete list is as follows: Knocked Up; Juno; Before the Devil Knows You're Dead; No Country for Old Men; There Will Be Blood; Into the Wild; Ratatouille; The Savages; Michael Clayton; The Diving Bell and the Butterfly.

While my favorite part of For Your Consideration is Marilyn Hack's plastic surgery, I also love that dreaded morning when the Oscar nominations get announced. Some actors wait anxiously to hear their name announced, while others, thinking they're totally off the Academy's radar, get nods while they're snoozing. Then, to add insult to injury, the losers get tracked down for embarrassing meltdowns and awkwardness on television. It's not quite that bad in real life, but as I read the reactions of those who received Golden Globe nominations, that movie keeps popping up in my head. So, check out these reactions, courtesy of Variety:

Dudes Chewing on Their Nails Hoping to Get Nominations: Jeremy Piven & Focus Features
"I got a call around 5:30, but I was up, believe it or not." -- Piven

"I was sitting here at Focus with about 35 very happy colleagues." -- FF head James Schamus on leading the studio nominations.

Those Who Prepared Speeches: Joe Wright, Atonement & Brad Bird, Ratatouille

"I think we were, as a team, very passionate about the film and story. I don't think we looked up from the little world we created around ourselves." "You need to make all actors feel loved, respected, and supported. That applies to the 12-year-old Saoirse Ronan or a slightly-older Vanessa Redgrave. Acting is an exposing and vulnerable job. You need to make them feel safe." -- Wright -- Extra props given for use of "slightly older."

"One of the messages of the film that most critics understood was that it wasn't anti-critic, but was saying if you're a critic or artist, don't get far away from what you love, and if, as a director, if you're focused on box office or awards and not the film itself, you'll take your eye off the ball." "And most importantly, this nomination shouldn't be taken as an endorsement for rats cooking our meals for us." -- Bird

Lads and Ladies with a Little Bit of Cockiness: Craig Zadan, Hairspray & Julie Taymor, Across the Universe

"It's so interesting that a couple of years ago we were accused of bringing the musical back with Chicago, and now you have this year with Sweeney Todd, Hairspray, and Across the Universe. There was no musical for so many years, and we're so proud of what Chicago has done for the musical." -- Zadan

"It's tremendous as we weren't on the pundits lists and didn't have big ads. I feel, in a way, that we were the engine that could. People vote from their heart, and I feel very gratified." -- Taymor

More About that Damned Strike: Piven, again! & Russ Smith, Juno

"I don't know about whether or not I'll be attending because to be honest with you, I don't know a lot about the rules and limitations of what is happening. I need to look into it. Writers are kind of these unsung heroes... I hope they get what they deserve, and I'll do anything I can to help that." -- Piven

"Our hope is that there's gonna be some sort of dispensation. Every day we're hoping they work something out, but we'll have to see." -- Smith -- In other words: please end the strike, I want my big moment!!

I am almost totally caught up on the films of 2007. The only major awards contender I haven't seen yet is Pixar's Ratatouille. Damn you Netflix and your "Very Long Wait" status! I've heard great things though, and now I've got an added reason to check out the DVD. Over at JimHillmedia, a Disney-focused news site, a reader wrote in: "Can you please help me win a bet at work? A co-worker of mine says that WALL-E makes a brief cameo appearance in Ratatouille. More importantly, this guy has bet me $100 that I'll never ever be able to find that robot in this movie." (WALL-E is the title character of Pixar's next film -- WALL-E.) The post answers that question and adds a really neat compilation of lots of the "cameos," in-jokes, and easter eggs in Pixar shorts and features.

It seems there are all kinds of callbacks and interconnections in the Pixar universe, and you fans of the films should definitely check out the site. It will help you watch the movies with fresh eyes. Some of the crossovers are very fast and will require a pause button. For example, the birds from the Pixar short "For the Birds" appear in Cars...for a tenth of a second. Others are much easier to spot. Look carefully at those toys in Monsters, Inc. and you'll see some old friends. A boy at the dentist in Finding Nemo is reading an Incredibles comic. And did you know that a "Pizza Planet" truck drives through each and every Pixar feature? Oh, and by the way, it sounds like that guy who wrote in to the site was duped. if you want to find WALL-E, he's not in Ratatouille, just the disc's special features. Rats!

With its concentration on the music industry, it's easy to forget that the Grammys have a few movie-related categories. They include best compilation soundtrack album, best score soundtrack album and best song written for motion picture, television or other visual media. One thing that's always odd with the Grammys, though, is how many nominees are so old. Take a look at the score/composer nominees, for example: Babel (Gustavo Santaolalla); Blood Diamond (James Newton Howard); The Departed (Howard Shore); Happy Feet (John Powell); Pan's Labyrinth (Javier Navarrete); Ratatouille (Michael Giacchino). Only the last of those films came out in 2007. But the eligibility period for the Grammys is always October of the previous year until the end of September of the current year. All but Ratatouille's soundtrack were released in October, November and December of 2006. Since the Grammy ceremony is only a couple weeks prior to the Oscars, the ancient films honored are easily seen as that much more old news (Babel won the 2007 Academy Award for score).

Happy Feet was also recognized in the best song category, for "The Song of My Heart" by Prince (who already has the best soundtrack of all time), despite its not having received an Oscar nomination. Same goes for one of its competitors, Casino Royale theme song "You Know My Name", co-written (with David Arnold) and performed by Chris Cornell. Dreamgirls' "Love You I Do", written by Siedah Garrett and Henry Krieger (performed by Jennifer Hudson) is the only overlap from last February's Oscar nominees (it lost to Melissa Etheridge's "I Need to Wake Up" from An Inconvenient Truth). The other recognized tracks, both from 2007 releases, are Eddie Vedder's "Guaranteed" from Into the Wild and Glen Hansard and Markéta Irglová's duet "Falling Slowly" from Once.

Once is also a contender for best compilation soundtrack, though it faces a huge challenger in The Beatles, who are recognized for the album for the Cirque du Soleil show Love (how does that fall into this category and not the one for musical show album?) and indirectly for the soundtrack to the movie Across the Universe, which features covers of the band's tunes performed by the movie's cast. Other soundtrack nominees are retro musicals Dreamgirls and Hairspray. Sorry, fans of High School Musical 2.

Most people consider the National Board of Review irrelevant, and yet they continue to write about the organization's annual film honors. Like the Oscars, though, it doesn't matter if the NBR is irrelevant or not. It's been around for nearly a century now, and it's been a significant part of awards season for many decades. Maybe the organization is made up of paid-entry film buffs rather than critics or "experts" but at the end of the day its members are simply movie lovers like you and me. And sometimes those members even champion and endorse movies that deserve that extra notice.

Sure, the 2007 mentions by the NBR seem so exhaustive that I almost can't even think of a movie that didn't get an award. Also, many of them seem like obvious and predictable decisions (doesn't this just mean the movies were noteworthy enough to receive the awards anyway?). Some of the winners, though, are pretty satisfying. Tim Burton probably won't win an Oscar for best director, so it's good to see him honored here. Also, I wouldn't have expected Lars and the Real Girl to get an original screenplay mention from anywhere. Nor did I expect for The Bucket List to land on any top ten lists. Mostly, I'm delighted to see Casey Affleck recognized for his acting.

Check out all the awards after the jump.

In what seems like a repeat of last year, the 2008 Annie Award nominations include a Pixar movie and a movie about penguins. The top contenders for the 2007 Annies, which recognize the best in animation, were Cars and Happy Feet. The former ended up winning the big award, Best Animated Feature. However, a couple weeks later it was Happy Feet that won the corresponding Oscar, so the Annies can not be looked at to predict the Academy's decision. In 2008, though, the two awards should actually match. The only real contender for both the Annie and the Oscar is Pixar's Ratatouille. There isn't much chance of this year's penguin movie, Surf's Up, winning either award. If there's any minor competition for Pixar, it's from Persepolis. The other two nominees for the Best Animated Feature Annie are Bee Movie and The Simpsons Movie.

Ratatouille was the leader in nominations at 13, while Surf's Up received the second highest amount with 10. In addition to the top award, the two films are competing in the categories for writing (also competing: Simpsons and Persepolis), storyboarding (also competing: TMNT; Meet the Robinsons; Bee Movie), production design (also competing: Beowulf), directing (also competing: Shrek the Third; Simpsons; Persepolis), character design (no other competitors), character animation (no other competitors, but Surf's Up received two mentions here) and animated effects (also competing: Spider-Man 3; Disney short How to Hook Up Your Home Theater; Ratatouille received two mentions here). One category that Bee Movie seriously missed is voice acting, which features three nominations for Ratatouille -- for Janeane Garofalo, Ian Holm and Patton Oswalt.

One thing that is interesting about the Annies is how the awards can be distributed to many different movies. Last year, Over the Hedge won the directing, storyboarding and character design categories, Flushed Away won in writing, voice acting, animated effects, character animation and production design categories and Happy Feet took away no awards. Then again, the year before, Wallace & Gromit in The Curse of the Were-Rabbit picked up ten trophies and then went on to pick up the Academy Award. So, the 2008 Annies could go any number of ways.