As insane as it would be to see a movie where Nick Nolte chats with God, that's not quite the Arcadia he's getting involved in. The Hollywood Reporter posts that Nolte, Haley Bennett, and Carter Jenkins have signed on for a coming-of-age indie called Arcadia Lost. Bennett and Jenkins star as pretty unlucky step-siblings -- mom and dad die in a car crash on their first family trip, and while on their own "the stunned teens roam the Greek countryside and befriend an expatriate vagabond (Nolte) who leads them to a mysterious spiritual ceremony." So it's kinda god-like, but in a style more fitting to Nolte. If this is your cup of tea, check out THR for info on tracking the film through Facebook.
And then there's the sleek and tough Maggie Q. Variety tells us she's going to star in a new historical action pic directed by Tian ZhuangZhuang called The Warrior and the Wolf. Tang Wei was originally linked to the film, but since Lust, Caution got her in trouble with China, methinks they looked elsewhere. Warrior will tell the story of two warriors in ancient China, and is currently in production in the Xinjiang province.
What probably won't be going into production any time soon, if ever, is a sequel to The Devil Wears Prada. In a discussion with MTV, Anne Hathaway said: "I'm really, really proud of Fox's decision not to pursue a sequel. When I did Bride Wars with them I asked what happened, and they said we can't make a story, and it's not worth it to damage the original film." That being said, she has wished for a decent story for a sequel, and would continue the franchise if it was right. If Fox hasn't come up with something worthwhile yet, they probably won't (kudos to the studio for not forcing the issue) ... but maybe thoughts of more Andy will lead Hathaway to a similar role elsewhere.
One last little bit: George Clooney might be the Lone Ranger? Really? Could you see Clooney and Depp together? Check AICN for more.
Tropic Thunder, starring Ben Stiller as one of a group of runaway actors whose work on a big-budget Vietnam epic goes horribly awry, is a funny, far-fetched mockery of modern Hollywood; the laughs don't maintain anything like a coherent intensity, but when they come, they're big enough to get you through the spaces between them. Some will mistakenly call Tropic Thunder a satire, but Tropic Thunder is in fact an example of satire's boisterous, bumbling sibling, the spoof. A satire's held with a light but precise grip, so the point can slice and the blade can cut; a spoof's more of a club, landing with blunt force and broad impact.
Star and director Stiller attacked the celebrity-industrial complex before, in 2001's Zoolander, and Tropic Thunder has more in common with that film than you might think; Stiller manages to mock action and thrills while also delivering them, and he's got a fine grasp of coarse celebrity behavior. Stiller seems drawn to characters whose self-centered arrogance is mixed in equal measure with self-loathing insecurity. We see an interview clip where Stiller's character, box office star Tugg Speedman, is informed by an interviewer how "Someone close to you said 'One more flop and it's over for him.'" Speedman pauses, and then asks his follow-up: "Somebody said they were close to me?"
I had to make such a tough decision last week when offered to attend a screening of either Tropic Thunder or Pineapple Express this coming Wednesday. What the hell does one do in that kind of situation? Both films look hilariously awesome to the tenth degree. I mean, if I could split my movie brain in half and send each part to a different screening, I totally would. But I can't. So I had to make a decision. I won't say which flick I picked right now, because then you won't tune in later this week when I spoil everything! That's right! Every last minute of the movie, right down to the order of the credits. Spoiled!
But anyway, check out a new international trailer for Tropic Thunder up top (or over on the film's official international site). Since it's from our international friends, it might be a little beyond a green band trailer, so keep that in mind office folk. There's not much else to say about this one -- watch it for yourself and tell me it doesn't look out of control. Stiller worries me sometimes because he could be a little too "stupid," but with Downey Jr., Steve Coogan, Nick Nolte, Bill Hader, Justin Theroux, Jay Baruchel and Jack Black in there, I think we'll be okay.
Tropic Thunder blows its way into theaters on August 15.
Indiana Jones -- he's got to be Harrison Ford, doesn't he? Okay, we had young Indiana Jones characters -- River Phoenix in the opening sequence of Indiana Jones and the Last Crusade, and Sean Patrick Flanery in The Young Indiana Jones Chronicles -- but I never really thought of Indy as a character who could be cast in any other way. You know, you figure the part in Raiders of the Lost Ark was practically written for Ford, who'd been in a couple of George Lucas films before that anyway (Star Wars and American Graffiti).
However, that assumption couldn't be more wrong. I've been digging around on that great source of reliable information, the Internet, and reading all kinds of stories about the casting of Indiana Jones. The general gist is that Steven Spielberg was interested in Ford, but Lucas didn't want to be one of those directors who cast the same guy in all his movies. So they tested a bunch of other actors, and were seriously interested in one who had to back out ... and then ended up with Harrison Ford after all. We are all profoundly grateful. But let's take a look at some of those actors allegedly under consideration, and a few more that I threw into the mix just for fun. (I picked only actors who were alive and the right age at the time, which is why you don't see Steve McQueen on the list.)
It seems that Scarlett Johansson wasn't the only one in the Big Apple, shooting for the upcoming anthology New York, I Love You, and I kind of like it. I'm sure it wasn't an "On your marks, get set, go!" sort of affair, but it's neat to think of different filmmakers across a city filming bits for the same film at the same time. Actually, I'd love to see a bunch of great filmmakers all run off to different parts of the same city, on the same day, and shoot their versions of it, but I digress.
Just Jared has thrown up pictures of Natalie Portman filming scenes with a Hasidic jew for the film. In the shots, she was on the Brooklyn Bridge. All that's being said about her particular short is that she's playing a Jewish bride -- presumably of the cute fellow at her side.
There is, however, word on some of the other New York players -- aside from Kevin Bacon taking part in ScarJo's short, Elijah Wood and Nick Nolte are also involved. Could this mean that there will be two continuations from Paris, je t'aime? Both Wood and Nolte had bits in the first film, and that would be great, if a few players keep traveling around the world for these city love stories. Here's to hoping that they have the same parts.
I may not be too thrilled with the thought of male modeling sequels, but I'm itching to see what Ben Stiller makes with his first directing gig since Zoolander. The flick is Tropic Thunder, and that image above is part of the first look released by Entertainment Weekly. This time, the focus is actors, and the comedy follows a group "of self-indulgent stars cast in the modern equivalent of Apocalypse Now." However, the director (Steve Coogan) and writer (Nick Nolte) get fed up with them and ship them off to the jungle to fend for themselves.
Meanwhile, Stiller and those involved are hoping this comedy doesn't start an uproar.
2008 is not this generation's 1968. Let's get that matter straight, right away. Even if we can draw some parallels or see some similarities between now and then, the truth is that it was a very tragic year, and despite our penchant to fetishize the period and wish that our time could be so important and powerful, we need to pray no politicians are assassinated this year (the fact that one particular candidate has been compared to both MLK and RFK is especially upsetting) and we need to be thankful that there is no draft. But mostly we need to just move on from the '60s already and stop attempting to appropriate its events in order to heighten the relevance of the 2000s. 2008 is indeed a significant year on its own, or it could be if we let it exist as such.
That said, Chicago 10, the latest documentary from Oscar-nominee Brett Morgen (On the Ropes) is literally about events of forty years ago, though the filmmaker claims it is a film about now. Okay, sure, there may be some relevant themes, but imprisoning your film with such definite statements of purpose makes it possibly less enjoyable to the people who are tired of these weak and easy-minded juxtapositions. Without acknowledging the obviously apparent intent, Chicago 10 is actually appreciable as one of the most creative and entertaining documentary films in years. And it could indeed be viewed as significant on its own, if we let it exist as such.
Most directors' first effort is NOT a huge blockbuster smash of a comedy starring Ben Stiller and Vince Vaughn, but that's how writer/director Rawson Marshall Thurber hit the scene: with Dodgeball. But based on the filmmaker's second effort, I'm guessing that Thurber took a lot of good-natured ribbing from his film-school friends and decided to snag some "indie cred" by doing a smaller movie for his second feature. That's all well and good, but it's too bad that the resulting movie -- The Mysteries of Pittsburgh -- is such an inert, episodic, and familiar piece of very typical festival fare. It's as if Mr. Thurber watched six Sundance films at random, and then just copied his favorite scenes from each one.
Based on the novel of the same name by Michael Chabon, The Mysteries of Pittsburgh is about the son of an infamous gangster who spends his last summer before "adult life" roaming around with two "free-spirited" pals. The year is 1983, and young Art Bechstein (Jon Foster) is at a serious crossroads. Completely opposed to his father's lifestyle, Art (reluctantly) plans to become a stockbroker in a few months' time -- but that means a few open months in which he can A) work at a chintzy discount book store, B) cast lovesick glances towards his new friend Jane (Sienna Miller), and C) become close pals with a bisexual street thug called Cleveland (Peter Sarsgaard). Oh, and D) nail his slightly unhinged boss (Mena Suvari).
It does strike me a little funny that after watching the trailer for the documentary Chicago 10, it managed to make me just a little less interested in watching the flick (not the best start for a movie trailer, IMO). Written and directed by Brett Morgan, the doc is a re-enactment of the infamous trial of the Chicago Seven in 1969. For those of you out there who aren't up on your counter-culture history: In 1968, Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale organized a large scale protest at the 1968 Democratic convention. After an unfair conviction of inciting violence and numerous appeals, five of the eight members finally had their convictions overturned and were able to walk away free men in 1972.
This is Morgan's second animated documentary, and uses the same style as Morgan's acclaimed Robert Evans flick, The Kid Stays in the Picture. Last November, a NYT piece had profiled the doc as a brand new approach to making documentary films. Instead of a bunch of talking heads, Morgan decided to use actual court transcripts to re-enact the trial with actors providing the voices on the infamous seven (well, eight if you count Seale, and in my opinion you really should). The cast includes Mark Ruffalo, Hank Azaria and Nick Nolte. Initial buzz surrounding the film was good, and there was even talk of a bidding war for the property. But after reading James' review back in January, as well as getting my first good look at the motion capture, I have to admit my enthusiasm has been dulled ever so slightly. Luckily, I'm a big enough documentary nerd that I can probably overlook it. Chicago 10 is scheduled for release in February.
You know you must like an actor when you are willing to sit through a film you are convinced you have already seen dozens of times before. The new website for the crime drama Pride and Glory has launched with fancy new photos and a theatrical trailer. Pride was co-written by Joe Carnahan and director Gavin O' Connor, and was inspired by O'Connor's childhood growing up in a home full of policeman. O'Connor was quoted as saying, "My father was a New York City detective, and I grew up in that world. It's a celebration of honest cops, which was everything my father was about. Though it is fictional, it is an homage to my father". New Line president Toby Emmerich had reportedly been a big fan of the script and made sure that the project found a home at New Line.
The film focuses on a family who are at the center of a police corruption scandal that could ruin not only their careers, but tear apart the entire family. Norton stars as a good cop up against crooked cops and the "Blue Code of Silence" when he is put in charge of solving the murder of four police officers. Joining Norton are Colin Farrell as the the black sheep of the family (as to be expected) with Jon Voight stepping in as the patriarch. The part had originally gone to Nick Nolte, but due to a knee-injury he had to be replaced by Voight. Pride and Glory will hit theaters on March 14th, 2008.
There's this fantastical film made a few years ago called Neverwas that, aptly, almost never was. While it had an all-star cast, the movie never saw the light of day, save a screening at TIFF and some releases outside of North America. After a few years in the never-ether, the film is finally getting an absolutely bare-bones release on DVD. The directorial debut of Joshua Michael Stern, who previously penned a little-known thriller called Skeletons, Neverwas is the next generation of Hook. If you think back to 1991, you might remember when Robin Williams was a grown-up Peter Pan, heading back to Neverland. Although the green-tighted hero was played by an adult, Hook was definitely a clear-cut family film. Neverwas, on the other hand, has its grown-up hero, but it is not the children's film that it seems to be.
Aaron Eckhart plays Zach Riley, an up-and-coming psychiatrist who is adamant to take a job at a mental institution, and convinces the head doctor (William Hurt) to hire him. One of his patients is Gabriel Finch (Ian McKellen), a strange old man who is convinced that Zach is Zachary Small, a children's book hero who will help him save his kingdom of Neverwas. He is partially right -- Zach's father was the book's writer, T.L. Pierson (Nick Nolte), and he used his son as the model for the heroic character. Pierson is actually the reason for Zach's interest in the hospital. The writer suffered from depression, and killed himself while Zach was still a boy. Years later, Zach is haunted by his memories of his father, surely amplified by the reminders around him, and the fact that Pierson spent time in the same institution.
What's a Ben Stiller movie without Owen Wilson? They've been working together together on and off -- though it seems more like continuously on -- since The Cable Guy. It is no surprise, then, that Wilson has just signed up for Stiller's Tropic Thunder. This is Stiller's fourth feature as director, and with the exception of his debut, Reality Bites, he has so far found a role for his friend in all of them (he also directed Wilson in the TV pilot for Heat Vision and Jack). It isn't clear what kind of role Wilson will have this time, but I'm guessing he will play an actor working on the movie-within-the-movie. So far, these actors, who end up on a war film shoot gone to hell, include Robert Downey Jr.as an Oscar-winning star, Jay Baruchel as an unknown, Jack Blackas a drug addicted comic actor, and Stiller himself, who may be a pumped up action star (as per Erik's educated guess). Then, as a non-actor, Tom Cruise is rumored to be making a cameo as a studio tyrant.
Also joining the cast now is Nick Nolte. His part is also unspecified, but he clearly must be some actor playing a lieutenant colonel or something -- basically playing himself playing his part in The Thin Red Line. Nolte is thankfully getting a lot of work these days, despite his infamous personal problems, but this is a welcome chance for the 48 Hrs. actor to return to comedy. Sure, he's not the funniest man in the world, but I think he's a good cranky straight man (in addition to the two 48 Hrs. movies, he's the only good thing about Three Fugitives), and he can even occasionally be the comic, too (Down and Out in Beverly Hills). Unfortunately he really missed the funny boat by working with director Alan Rudolph in Breakfast of Champions and Trixie (he has done great dramatic work for the director), and so it seems easier to just cast him in dramas. Although Nolte probably won't have the opportunity to get a lot of laughs in Tropic Thunder, I at least applaud Stiller for adding him to the ensemble of funnymen.
Having just come off the Tribeca film festival, I should be perfectly attuned to an experimental short film anthology like Paris Je T'Aime, (Paris, I Love You) and some segments of it are definitely enjoyable, but the overall hit-miss ratio is too low to ignore. This, despite a juggernaut talent bench that includes the Coen brothers, Wes Craven, Natalie Portman, Maggie Gyllenhaal, Alfonso Cuaron, Nick Nolte, Miranda Richardson, Bob Hoskins, Elijah Wood, Steve Buscemi, Gus Van Sant and Juliette Binoche. In fact, these are only a few of the notable performers and directors who contribute to the 18 shorts, only a few of which actually intersect with the others. My favorite of the lot is the one that the Times' Stephen Holden declared to be the worst: a snappy little love note to Parisian vampires titled Quartier de la Madeleine. Starring Olga Kurylenko as a classic vampire with opaque, milky eyes who is interrupted in the midst of her work by Elijah Wood, it's a beautifully photographed little love story with lots of blood that seems made of melted pink plastic.
Strangely enough, that's not the short directed by Craven (even though he makes a cameo in it -- how could he not?) Craven's entry is Pere-Lachaise, focusing on a visit to that famous cemetery -- where Oscar Wilde, Marcel Proust and Jim Morrison are buried -- by a squabbling couple played by Rufus Sewell and Emily Mortimer. Just when Sewell's character has run out of things to say, the ghost of Wilde actually shows up to give him some advice. Like many of the films, however, it feels like a 30-minute short that was cut down to about one-third of that time in order to squeeze it into this crowded phone-booth of a feature format. If you don't pay careful attention, you might actually miss Wilde's appearance and wonder what happened to wrap up the segment. Still, the acting drags it over the finish line. The same can be said for Quartier des Enfants Rouges, starring Gyllenhaal as an American actress shooting a costume drama in Paris and possibly falling for her Parisian dope dealer.
I've seen some weird movies in my time -- or so I thought until I saw an Alejandro Jodorowsky movie. The director has a resume that includes tarot expert, mime, comic book writer and new age psychotherapist. His career as a filmmaker has been rocky to say the least: His first film incited a riot at it's premiere screening, and most of his other works have only been accessible through bootlegs and selected midnight screenings and festivals.
The director spoke with Premiere Magazine about the upcoming release of a DVD box set of his films including El Topo, The Holy Mountain, and Fando & Lis. The director oversaw the restoration of the films and said, "For the first time in my life I have the picture as I like it." Jodorowsky says he is currently working on a gangster project titled King Shots with Nick Nolte and Marilyn Manson as a 300-year old Pope. Manson is a huge fan of Jodorowsky and even had the director officiate his marriage to Dita Von Teese in a costume from The Holy Mountain. Jodorowsky has always had a rough time of finding investors, so it could be a long time before the project even gets off the ground. Until then, fans will have to be content to sit down with the box set and enjoy the insanity from the comfort of their living rooms.
Animated movies still haven't fully made the transition from family oriented fare to a more "adult" state of mind. The New York TimesprofiledBrett Morgan's (The Kid Stays in The Picture) Chicago 10, an animated documentary that tells the story of the infamous 1969 trial of the Chicago Seven as possibly the next step in animated films.
In 1968, eight student protest leaders and counter-culture figures were charged with conspiracy to incite violence at the 1968 Democratic Convention. Originally, the group was comprised of eight defendants including Abbie Hoffman,Jerry Rubin and Black Panther Party activist Bobby Seale -- Seale's case was later separated from the group. It took two years and a series of appeals for the seven defendants to finally be found not guilty of the charges. Morgan's film uses motion capture animation to re-create the events of the trial. He says, "I didn't want the film to be a valentine to the '60s. I didn't want to see a bunch of old men talking about how vibrant they were in their youth -- they'd be looking at their grandfathers." Morgan worked with original trial transcripts for the film with voices provided by Mark Ruffalo, Hank Azaria, and Nick Nolte
The news is good for Morgan, because there is already speculation of a bidding war when the film opens up the Sundance Film Festival. Set for a 2007 release, we'll have to see if Morgen can successfully blend his style of flashy animation with political commentary.
As insane as it would be to see a movie where Nick Nolte chats with God, that's not quite the Arcadia he's getting involved in. The Hollywood Reporter posts that Nolte, Haley Bennett, and Carter Jenkins have signed on for a coming-of-age indie called Arcadia Lost. Bennett and Jenkins star as pretty unlucky step-siblings -- mom and dad die in a car crash on their first family trip, and while on their own "the stunned teens roam the Greek countryside and befriend an expatriate vagabond (Nolte) who leads them to a mysterious spiritual ceremony." So it's kinda god-like, but in a style more fitting to Nolte. If this is your cup of tea, check out THR for info on tracking the film through Facebook.
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