Citing an unnamed source -- you know, one of those reliable anonymous types -- Showbiz Spy is reporting that Michelle Williams plans to make a movie about her late ex, Heath Ledger, in order to provide a record of him for the former couple's toddler, Matilda. No details have been released yet, which leaves a lot of questions up in the air. Is it going to be a straightforward documentary? A biopic? Some mixture of both? If this source is to be trusted, it seems unlikely that Williams simply wants to assemble family footage to screen privately for her daughter when she gets older. A Ledger film made for general audiences would probably reveal his unrealized career intentions and help solidify his posthumous James Dean-like reputation, but it's hard to say what approach Williams would want to take, since we don't even know what role she'll have in the production (producer? director? consultant?).

Based on the skimpy information provided by Showbiz Spy, Williams' idea sounds somewhat similar to a recent documentary project that's been riding the festival to great acclaim in recent months: Kurt Kuenne's devastating Dear Zachary: A Letter to his Son About His Father, which begins with the documentarian planning to collect the memories of his murdered friend for the departed man's young child (the story takes a shocking turn after the first hour or so). Whatever the final product, surely Williams wants to avoid letting E! True Hollywood Story have the final say on Ledger's myth. Who can blame her?

Just over a week ago, Jessica shared a few far-off, behind-the-fence pics of Ashecliffe, the project formerly known as Shutter Island. There was a shot of Leonardo DiCaprio and Martin Scorsese, and now, over at Just Jared, there are close-up peeks of Leo, plus cast members Michelle Williams and Mark Ruffalo. If you remember, this is the 1950s drama about a US Marshal who investigates the disappearance of a murderess from a hospital for the criminally insane, a woman who might be hiding on Shutter Island.

JJ pointed out that it looks like Ms. Williams could be pregnant in this picture, which would put a whole sadder spin on her character's story arc. As Patrick pointed out when the actress signed up for the role -- Leo's character (the US Marshal) "is grieving over the recent death of his wife, who was killed in a fire by one of the inhabitants of the facility."

Between this and Incendiary, Williams has a lot of familial death on the way, which is even eerier considering the events of this year. But luckily, she's also got films like Synecdoche, New York to balance things out.

I'll always remember reading a review of Casino where a reviewer said that even a mediocre Martin Scorsese movie is better than the 'best' movie made by any other director. That particular piece of wisdom has always stuck with me whenever I was plunking down my hard earned dollars on a Scorsese film that wasn't necessarily 'my thing' -- cough, Kundun, cough. So with that in mind, you can be sure that I'll be there on opening day for his new thriller, Ashecliffe (formerly Shutter Island). The Boston Herald recently scored some pictures of star Leonardo DiCaprio and Scorsese on the set of the period thriller, with the added bonus of getting to see DiCaprio brandishing some firearms (thankfully, it was for the movie).

The film is based on a novel by Dennis Lehane (Mystic River), and centers on two U.S. marshals who are sent to investigate the disappearance of a patient from a hospital for the criminally insane. Things start to go downhill when a riot on the island has them trapped, and not to mention some events that are outside of the realm of the everyday. Mark Ruffalo joins the cast as DiCaprio's partner, and Michelle Williams also stars as DiCaprio's wife. The film immediately brings Spellbound to mind, and knowing what a Hitchcock fan Scorsese is, I will look forward to seeing Scorsese work in a few of those 'master of suspense' touches.

Ashcliffe is scheduled to arrive in theaters on October 2nd, 2009.

Synecdoche: n. A figure of speech in which a part is used for the whole (as hand for sailor), the whole for a part (as the law for police officer), the specific for the general (as cutthroat for assassin), the general for the specific (as thief for pickpocket), or the material for the thing made from it (as steel for sword). -- American Heritage Dictionary

The directorial debut of screenwriter Charlie Kaufman (Eternal Sunshine of the Spotless Mind, Adaptation), Synecdoche, New York is a sprawling, messy work of inspired brilliance and real humanity, a film that enthralls and affects even as it infuriates and confounds. Kaufman gives us parts, and the whole; he gives us the general and the specific. The plot is, on the surface, about a theater director, Caden (Phillip Seymour Hoffman), whose work, and life, in upstate New York have both fallen into a state of stasis relieved only by hints of slow decay. His marriage to Adele (Catherine Keener) is a qualified success: somewhat supportive, somewhat loving, somewhat successful, sustained in part by their daughter Olive (Sadie Goldstein). And just as Caden's life falls apart personally -- Adele, a painter, takes Olive to Berlin for a gallery showing and never comes back -- he also earns a "Genius" grant, and embarks on an ambitious, immersive theater piece that'll be his masterwork.

But that meat-and-potatoes synopsis does not, and can not, fully explain what Kaufman covers and examines and explores and offers in the film -- partially because of the fluidity of time and space and art and reality in the story, and partially because of how Kaufman wedges every frame full of set design, side notes, visual tricks, subtext, , deadpan jokes, prosthetic makeup, voice-over, post-modern inventions and old-fashioned melodrama. Synecdoche, New York veers away from reality fairly early in its journey; indeed, there's a question of if it even starts anywhere near there to begin with. Caden's obsessed with the decline of his physical body as he ages, poking at bumps, examining anomalies, concerned with disease.

Deception, starring Hugh Jackman and Ewan McGregor, is being sold as an "erotic thriller." Any experienced cinemagoer knows that this phrase, which promises two things, usually indicates a film that will fail to deliver either. American studio films either tiptoe around sex or stomp on it with clown shoes, and the modern thriller often relies on activities that are not, and cannot ever be, thrilling -- electronic funds transfers, typing, mouse-clicking. Deception, directed by Marcel Lanegger from a script by Mark Bomback, begins as Ewan McGregor's lonely auditor Jonathan McQuarry labors late into the night in a huge conference room, vast windows looking out over the lights of the city. Shut in, walled-away, cut-off, Jonathan is worse than miserable; he's invisible. But then Hugh Jackman's brash, blunt Wyatt Bose waltzes in, makes some small talk, sparks up a joint. It's not what Jonathan's used to. Then again, he hates what he's used to.

You know that feeling you get when something looks so familiar but you just can't put your finger on it? Well, that's how I felt after I saw the latest poster release for Marcel Langenegger's, Deception (see to the right, and click to enlarge). After a furious search to try and figure out just what it was about the poster that was so familiar, I came up empty. Luckily, the sharp eyes over at the Ropes of Silicon boards noticed the poster was almost identical to The Prestige.

Ewan McGregor stars as Jonathan, a buttoned down accountant who is swept up in a mysterious sex club called 'The List'. Hugh Jackman plays his lawyer friend who leads Jonathan down the 'rabbit hole' involving a missing girl and a million dollar fraud. There aren't that many differences between this latest poster release and the previous release -- in fact, there are only a few minor differences. The most noticeable being that Jackman had a lot more real estate on the first poster than he does now. On the upside, we actually get to see McGregor's face this time around.

After watching the trailer, I'll admit that there is no way I would see this film if Jackman and McGregor were not starring (it just has a late night, skinemax vibe). Plus, the film bears a striking resemblance to the 1990 thriller Bad Influence (it even looks like McGregor borrowed James Spader's glasses). Deception is set for release on April 25th, and I can't help but wonder if Fox released this poster in hopes of drumming up some much-needed business.

"Okay, we have Michelle Williams back on set today -- so should we go ahead and shoot that scene with her next to a skeleton, three blocks away from where her old flame was found dead a couple weeks ago?" I imagine a conversation like this had to occur prior to shooting scenes for Williams' new film Mammoth in New York City the other day. Photos of the poor gal standing next to a skeleton on set were splashed across the pages of the New York Post today, and one can't help but look at her and say, "Really? These were the scenes that needed to be shot right now? And the skeleton comes into play ... how, exactly?"

Mammoth stars Williams and Gael García Bernal as a married couple living in New York with their daughter and Filipina nanny whose lives drastically change when the husband takes a business trip to the Philippines. Williams was back in New York only two days after attending a funeral service for Heath Ledger in Australia. Here's hoping the girl stays strong ... and that the Mammoth filmmakers will try to next shoot a scene that doesn't involve a dead body in SoHo.

Like most people, I'll go see a Martin Scorsese movie no matter what they call it. Empire reports (via The Boston Herald) that Scorsese's latest, Shutter Island, will now be known as Ashecliffe -- and while I wasn't all that attached to the first title, it's not like this one is a vast improvement. The film is based on Dennis Lehane's novel about an investigation at an asylum for the criminally insane. The new title is taken from the name of the mental institution.

DiCaprio stars as Teddy Daniels, a US Marshall sent to investigate the disappearance of a multiple murderer on the remote and fictional location of Shutter Island. Michelle Williams also stars as Dolores Chanal, the wife of DiCaprio's character who is communing with him from beyond the grave (it sounds weird, I know, but the book was pretty 'Gothic' to begin with). Williams has recently halted production on her latest film Blue Valentine due to Heath Ledger's sudden and tragic death. However, there was no mention of whether she is still planning on staying on for Ashecliffe.

Shutter ... I mean Ashcliffe, also stars Mark Ruffalo as DiCaprio's partner, Ben Kingsley, and Patricia Clarkson. Clarkson has always had the uncanny knack of portraying either the kindest or most hateful person you have ever met, so my money is on her portraying the murderess, Rachel Solando. Production is set to begin this March, and Scorsese has already been scouting locations in Nova Scotia, Massachusetts, and Connecticut as the stand in for the island. Ashecliffe is scheduled for release in 2009.

It is heartbreaking enough when we lose a great actor like Heath Ledger. When the news comes through as chaotically as it did yesterday, though, it heightens the tragedy. We all heard speculation, rumors and inconclusive reports about Ledger's death Tuesday, and while some of it was true, most of it was not. On the morning after, things don't feel any more concrete, but we at Cinematical would like to keep you updated on what is confirmed and what is still not definitively known. Also, we'd like to share the statements made by family and friends, all of whom are in our hearts today.

The only bit of information that could really be corroborated last evening was the time of Ledger's death and that he was discovered in his bedroom (in his apartment, not Mary Kate Olsen's) by his massage therapist. Anything else you heard, whether it had to do with scattered pills or type of pills, may have been exaggerated. And until a medical examiner issues a certain cause-of-death statement, we can't even be sure if any pills were involved in the incident. So far this morning, we have learned that an autopsy performed on Ledger has been ruled inconclusive. The medical examiner's office also told reporters that the investigation into the death will take about ten days.

The casting news just keeps piling up for Shutter Island, Martin Scorsese's upcoming adaptation of the Dennis Lehane novel. (Films of Lehane's books have a pretty damn good track record -- see Mystic River and Gone Baby Gone.) Scott told you that Scorsese will be teaming (yet again) with Leonardo DiCaprio, who will play the lead role of U.S. Marshall Teddy Daniels. I told you that Mark Ruffalo signed on to play DiCaprio's partner, U.S. Marshall Chuck Aule. Christopher told you that Ben Kingsley is on board as Dr. Cawley, "the chief physician at a Massachusetts hospital for the criminally insane." And now I shall tell you that Michelle Williams is playing DiCaprio's wife in the film.

Variety reports that the drama "revolves around the trip made by Daniels to a remote New England island in 1954 to figure out how a multiple murderess escaped from a hospital for the criminally insane. He is grieving over the recent death of his wife, who was killed in a fire by one of the inhabitants of the facility." I'm about a hundred pages into Shutter Island, and have not yet been made aware of this wife/patient connection, but I do wonder how large a role Williams will have in the film. The only involvement her character has had in the novel so far has been brief flashbacks. I realize I'm setting myself up for meanie readers to spoil the book's secrets in the comments, but please don't! I'm just speculating. Regardless, I'm loving the novel and can't wait for the film...

No, it's not another sequel to the Neve Campbell/Denise Richards classic! The extremely likable Lauren Ambrose (Claire on Six Feet Under, Denise Fleming in Can't Hardly Wait) will voice a character in the upcoming adaptation of Maurice Sendak's beloved childrens' book -- Where the Wild Things Are. According to The Hollywood Reporter, Ambrose is playing KW -- "one of the giant characters in the land of the Wild Things. When a young boy named Max visits their strange world, KW and company turn him into their king."

Ambrose is taking over the role from Michelle Williams. Apparently Williams got along well with the filmmakers, but "her voice didn't match their original vision of how the Wild Things should sound." Where the Wild Things Are mixes flesh-and-blood actors, computer animation, and live-action puppetry. I can't wait to see it, I adored the book as a kid and I love pretty much everyone involved with the film. Spike Jonze (Being John Malkovich, Adaptation -- a couple of my favorite flicks) will direct, and wrote the screenplay with Dave Eggers (A Heartbreaking Work of Staggering Genius, one of my favorite books). You can go into the Wild in Fall 2008.

If you've ever quickly passed by the DVD for Lilya 4-ever in a store, you might have had to do a double take, thinking the girl on the cover was Michelle Williams -- a very young Michelle Williams, that is. The lead actress in that film, Oksana Akinshina, doesn't exactly look like Williams, but there are a few shots where you can see a resemblance. Take a look at this still, and this one, to see what I mean. With this in mind, I wonder if Lukas Moodysson, the writer-director of Lilya, was also thinking of Akinshana when he cast Williams to co-star in his next film, Mammoth. According to Variety, the Oscar-nominated actress will play the wife of Gael Garcia Bernal, who we previously learned would appear in Mammoth, which will be Moodysson's English-language debut. The film, about a couple "facing a crisis", begins shooting next week in Thailand. Filming will also take place in the Philippines, Sweden and New York.

Though the exact plot is still unclear, I previously made the prediction that it involved an affair between the husband played by Garcia and his 8-year-old daughter's nanny played by Filipino actress Marife Necesito. But then, I just assume all movies these days are about infidelity. The most I've read about the story so far is that Bernal's character is on a business trip to Thailand when he decides to seriously alter his life. I guess that could very well mean something other than cheat with the nanny. Whatever the plot, I'm excited. I am typically dubious regarding a favorite foreigner making an English-language film, but with Bernal and Williams on board, I am imagining great things. And this is even without the involvement of Lars von Trier, who had previously been named as a producer. However, Lars Jönsson, who has produced much of the work of both von Trier and Moodysson, is still attached, as is regular von Trier-producers Vibeke Windeløv and Peter Aalbæk Jensen and long-time Tom Tykwer-producer Maria Köpf. Sounds like it could be one of the best non-foreign-language foreign films to come out next year (so far it's set for Swedish release in August, but hopefully it will be easily picked up for the U.S., too).

Hope Davis has had a pretty remarkably consistent career considering the amount of work she's done, giving understated performances in a variety of great films. I loved her in two recent little-seen gems: The Matador and The Weather Man, and especially in American Splendor and About Schmidt -- which is one of my favorite films. She's got two movies due out this year: John August's The Nines, which I told you a bit about here, and Charlie Bartlett, a comedy with Robert Downey, Jr, due out August 3rd. Today brings more word on two upcoming projects for Davis. First, she has joined Synecdoche, New York, screenwriter extraordinaire Charlie Kaufman's directorial debut. Philip Seymour Hoffman will star and Davis joins an excellent (and very pale!) female supporting cast that includes Samantha Morton, Catherine Keener, Michelle Williams, and Tilda Swinton. Hoffman will play "a theater director in crisis over work and the women in his life," Davis will play his therapist. Synecdoche begins shooting this month.

After that project wraps, Davis will move on to Genova, a new film from Michael Winterbottom, director of the great Tristram Shandy: A Cock and Bull Story and 24 Hour Party People. Winterbottom also directed Angelina Jolie in A Mighty Heart, out this summer -- check out James' Cannes review of that film here. Monika told you about Davis' addition to the Genova cast last week. That film is a ghost story said to have mystery and horror elements. It tells the story of "a British man who moves with his two American daughters to Italy as he tries to recover from his wife's death." Davis will star alongside Colin Firth, Willa Holland of The OC and Perla Haney-Jardine of Spider-Man 3. Catherine Keener is in that one as well -- maybe she and Davis can share a cab from New York to Italy after the Kaufman film wraps.

Leave it to Hollywood to dig up a fact that nearly two centuries of historical research has missed -- that the famous Bronte sisters, Anne, Emily and Charlotte, were all smoking hot. A new biopic of the trio, simply titled Bronte, has just been greenlit for a fall start, and will star Bryce Dallas Howard, Michelle Williams and Evan Rachel Wood. Annoyingly, the Variety article doesn't identify who will be playing which sister, but I think Howard would be the obvious choice to play Anne, the least successful sister whose most accomplished work was The Tenant of Wildfell Hall. She can do the whole constipated-with-disappointment thing pretty well, I imagine. Emily and Charlotte were the real stars of the family, with the former penning Wuthering Heights and the latter topping that with Jane Eyre. The article also declines to give us any kind of outline as to the story, unless its doing so by proxy when it mentions that the sisters, as youngsters, "created epic fantasy worlds to entertain themselves."

The film was written and will be directed by Charles Sturridge, whose last effort was the 2005 film Lassie, which was barely released in U.S. theaters. Before that, he mostly did TV, including a rendering of Gulliver's Travels, so who knows what kind of quality we're looking at here. Interestingly, IMDB has had a Bronte page up for a while, and there are other actresses in all the main parts except for Michelle Williams, who is credited as Charlotte. Nathalie Press is credited as Emily and Emily Barclay is credited as Anne. Guess that was until Gwen Stacy decided to come knocking. Jonathan Rhys Meyers is also credited on IMDB as Bronte brother Branwell -- who knows if that still applies. The film is set to get rolling in September.

The Reel Moments series has grabbed their next director, and it is none other than Miss Mary Jane herself, Kirsten Dunst. As I mentioned in February, the series, which has previously boasted talent like Robin Wright Penn and Jennifer Aniston, is run by Glamour magazine and showcases short films by women. However, Reel Moments isn't just some strange off-shoot of the magazine. According to SCI FI Wire, the shorts are based on stories submitted by Glamour readers. Now Dunst reportedly told the site that she's going to make her directorial debut for the collection.

The actress isn't just dipping her toes in, but doing a large back flip. She's quoted as saying: "They're totally giving me carte blanche. I pick my letter. I write my script. I pick everyone I want to collaborate with, it's great." So, Ms. Dunst will be writing her still-untitled short, but she's got the theme -- it will be a supernatural ghost story inspired by scary films. Of course, getting carte blanche, she also can't resist starring in it, alongside Michelle Williams. If the news conference she was involved with last week is any indication, she will aim high: "I've always [been a fan of] Roman Polanski and, you know, Repulsion with Catherine Deneuve and, like, Rosemary's Baby... We just don't make movies like that any more." That girl never ceases to make me grin and shake my head. She's going to shoot her short this summer, so we'll see if she lives up to the films she admires, or still basks in her unending confidence.