There may not be much footage that we haven't already seen in either the original red-band trailer or the international teaser for the Coen brothers' Burn After Reading, but I noted enough bits and pieces to feel these two new videos worthy of sharing. Plus, for those of you who have a preference, George or Brad, you now have a trailer that fits you best. Personally, I'm hoping that the ladies, Frances McDormand and Tilda Swinton, get their own character-centric trailers. And while Focus Features is at it, how about individual spots for John Malkovich? Heck, give Richard Jenkins, J.K. Simmons and David Rasche each their own, too. I'm that excited about this movie that I want more, more, more.
Fortunately, we've only got about a month until Burn After Reading opens on September 12.
This may sound paranoid, but I am convinced that Thomas Jane must have made some enemies in Hollywood. The guy is talented, he has great screen presence, he's awfully easy on the eyes; and still he ends up flicks like Mutant Chronicles. If you don't believe me, take a look at the new teaser for the sci-fi thriller over on the actor's personal site, and tell me this movie doesn't look destined for obscurity.
Chronicles is loosely based on the successful role-playing game of the same name from Target Games. In Philip Eisner's (Event Horizon) script, the world has been divided into four corporations who are constantly at war. When a new plague of mutants are unleashed unto the world, an ancient society recruits a battle-hardened soldier (Jane) as humanity's last chance for survival. Joining Jane are Ron Perlman as the mystic Brother Samuel, Devon Aoki as a fellow bad-ass, and John Malkovich as the political leader Constantine.
On paper, the whole thing sounds fine; mutants, elite military squads, and pseudo-mysticism -- what could go wrong? After watching the trailer, the answer would appear to be ... everything. The film was originally announced back in 2006, but other than a quick poster release and a website, there hasn't been much attention paid to the film...and now I'm starting to understand why.
Mutant Chronicles is scheduled for release later this year.
I would like to punch Variety in the face for writing "preem" instead of "premiere," as in "Spike Lee's WWII pic Miracle at St. Anna will world preem at the Toronto Film Festival." Yeah, I know, they use this sort of cutesy Hollywood "inside baseball" terminology left and right -- I find all of it irritating, but preem? Seriously? That is nothing if not horrible. And it's all of three letters shorter than the whole word.
Anyway, the unnecessary slang obfuscates what I want to write about: Miracle at St. Anna will have its world premiere at the Toronto International Film Festival in early September. The other big get Toronto announced yesterday is the world premiere of Nick & Norah's Infinite Playlist, the indie kid romantic comedy starring Michael Cera. I'm much more excited about that one, to be honest. Prestige war movies are a dime a dozen; Michael Cera playing "a member of the queercore band 'The Jerk Offs'" is something special.
This will be my first year attending Toronto (back-to-back with Telluride, where I've gone four times now), so needless to say I am aquiver with anticipation.
The consensus I've gotten from people after they've seen the red-band trailer for the Coen brothers' Burn After Reading is that nobody understands what it's about, and nobody cares, because everybody thinks it looks awesome. Well, if you thought that trailer was confusing, or at least lacking in plot synopsis, just imagine how moviegoers outside the U.S. feel after seeing this new international trailer.
As you can see, marketing to international audiences is more about selling the stars. Hence the CLOONEY, the McDORMAND, the MALKOVICH, the SWINTON and the PITT titles. As for story, there's even less revealed here than in the red-band trailer. In fact, it's almost a joke how little is said about the movie. Each actor/character maybe gets to slip in one or two words, which actually just serve as response to more intertitles telling us about the other major stars of the film: the Coens.
Time to play catch up with a couple of indie distribution deals that were completed during the past few days.
In the warm afterglow of Cannes, IFC Films acquired one more title to add to their stockpile, according to The Hollywood Reporter: Italian crime drama Gomorra. Directed by Matteo Garrone, the film is based on a best-selling book and follows five separate stories. "Set in the provinces around Naples," wrote our own James Rocchi, "Gomorra's a sweeping, stirring drama that has the shoot-and-loot tension of the best crime cinema but also has the scope and serious intent of great drama." Gomorra won the Grand Prix at Cannes, which is unofficially considered the "runner-up" prize. IFC plans a theatrical release and will also make it available day-and-date on its video-on-demand service; they are also seeking a cable TV deal of some sort.
Months after it debuted at Sundance, indieWIRE says that Sean McGinley's comedy-drama The Great Buck Howardhas finally secured distribution from Magnolia Pictures. Cinematical's Scott Weinberg thought it "might be the most affectionate look back at old-school entertainment since Peter O'Toole boozed his way through My Favorite Year" and called it "a smoothly, strongly appealing comedy." Colin Hanks and Emily Blunt star as an ex-lawyer and a publicist, respectively, trying to help magician Malkovich make a comeback. Magnolia plans a fall theatrical release.
After a brief detour through the more substantial, it looks like the Coen brothers are back in full-on madcap comedy mode with this fall's Burn After Reading. The first trailer has made an appearance here, though since it's red-band, the site requires you to go through a cumbersome process involving iTunes. Among other things, it affords the rare treat of seeing John Malkovich punch Brad Pitt in the nose.
It's always hard to predict how Coen movies are going to come together, but although Pitt might deserve an Oscar for the little dance he does at 1:36, I don't think Burn After Reading will be making an awards run -- it looks very, very strange, sort of in the vein of Raising Arizona. (On the other hand, the fact that the utterly insane O Brother, Where Art Thou? managed a screenplay nomination might mean all bets are off.) I cherish the Coens' comic sensibilities -- Intolerable Cruelty and The Ladykillers were trifles, but they made me laugh, really hard. This looks similarly anarchic and over-the-top.
Burn After Reading premieres at the Venice Film Festival in August and hits theaters September 12th.
Did you know that the beautiful city of San Diego has mean streets? City Lights Pictures announced in Cannes today that it has picked up North American rights to Damian Harris' Gardens of the Night, a drama about two young people struggling to exist hand to mouth on the streets of San Diego. City Lights plans a fall theatrical release, according to a statement released by the company.
Gillian Jacobs (pictured) stars as Leslie, a 17-year-old girl who is still dealing with the trauma she experienced when she and her childhood friend Donnie (Evan Ross) were abducted and held captive by two men nine years earlier. The abductors are played by Tom Arnold (!) and Kevin Zegers.
After the gut-wrenching terror of No Country for Old Men (I haven't been that tense in a movie theater since, well, ever), I can safely say that I am incredibly relieved that the Coens' next film, Burn After Reading, looks like it is going to be a lot more fun. First Showing now has some stills from the Coens' black comedy, and it would appear that the brothers are returning to what I like to call their 'Raising Arizona roots.'
Burn is the story of a CIA agent (played by George Clooney) who is assigned to investigate the case of a former agent named Ozzie Cox (John Malkovich) who has taken his revenge on the agency by writing a tell-all memoir. When Cox's ex-wife (played by Tilda Swinton) steals the only copy and leaves it behind at her gym, the gym's owner (Frances McDormand) and star personal trainer (Brad Pitt) see an opportunity to engage in a little blackmail.
The Coen flick just got the nod to open the Venice Film Festival this year, but Burn will not be making an appearance at Cannes this year (which is a little strange considering the luck they had at the French festival last year). This makes it zero for two for Pitt now that his other high-profile film, The Curious Case of Benjamin Button, also failed to make the list for Cannes. Burn After Reading is scheduled for wide release on September 12th, 2008.
The pounding beat of a headache, or the sear of a migraine, is something I rarely have to face. That makes me lucky, for the most part, but it also means that when one hits, like today, all I can think of is heads and brains like a zombie in training. Naturally, this has me thinking of movies that focus on the stories of the noggin. Should I go for The Man with Two Brains or other similar brainy fare? Nah.
Instead, I'm going to focus on a man behind the camera, one who brought us two of the best stories of the mind to date: Mr. Charlie Kaufman. It all started with a little Malkovich Malkovich, and then continued with the overwhelming urge to erase love from the mind -- two stories that make a little headache seem like nothing. On this warm Friday, I give you: Being John Malkovich and Eternal Sunshine of the Spotless Mind ...
Even though a lot of fans of The Coen Brothers haven't been all that happy with the results of their collaborations with George Clooney (I think I was one of the eight people in the world who actually enjoyed Intolerable Cruelty.), I've still got a good feeling about their CIA comedy, Burn After Reading. The Hollywood Reporter has announced that Focus Features will release the dark comedy on September 12th of this year.
Burn has an all-star cast including Clooney, John Malkovich, Frances McDormand, Brad Pitt, and Tilda Swinton. I would guess that it's been like 'old home week' on set; we all know that Clooney and Pitt are buddies, and Swinton could be an honorary member of the boys club after her Oscar winning performance in Michael Clayton (and judging by her acceptance speech, she seems comfortable with a little verbal rough-housing).
The comedy stars Malkovich as Ozzie Cox, a CIA vet who gets fired for being an alcoholic, and writes out his revenge in a memoir. His soon-to-be ex-wife (Swinton) accidentally leaves the memoir at a gym, where it falls into the hands of a trainer, Chad Feldheimer (Brad Pitt), and the gym's owner Linda Litzke (Frances McDormand), who want to exploit the discovery. It sounds like a pretty 'fluffy' flick, but I think we could all use a break from the Coens' more "intense" point of view, wouldn't you agree, friendo?
One might not expect a sweet, funny and warm-hearted crowd-pleaser from the man who wrote movies like Sexual Roulette, Sonic Impact, and Venomous, but I guess filmmaker Sean McGinly has spent the last eleven years churning out schlock flicks just so he could get to something good. And I'm very pleased to report that his newest offering, a smoothly, strongly appealing comedy called The Great Buck Howard, is definitely the "big break" that McGinly's been working for. Backed by a fantastic performance by John Malkovich -- and some really fine work from young actors Colin Hanks and Emily Blunt -- The Great Buck Howard might be the most affectionate look back at old-school entertainment since Peter O'Toole boozed his way through My Favorite Year.
Hanks is a law student who despises law school, so (directly against his father's wishes) Troy Gable bails on higher education and lands a job as a road producer for a serious has-been of a magician. Formerly quite famous (he's been on Johnny Carson's Tonight Show over 60 times), Buck Howard is a relic of a more innocent time. Magician, mentalist, musician and comedian, Mr. Howard is "old-school entertainment" at its most sincere -- and sincerely forgotten. Troy and Buck strike up a professional friendship, although obviously their relationship is due for a few rocky moments.
George Clooney is one of the busiest men in Hollywood. He's currently promoting his excellent new legal drama Michael Clayton. He's wrapping up acting and directing duties on Leatherheads, a 1920's football romantic comedy with John Krasinski and Renee Zelwegger. He's shooting the Coen Brothers' Burn After Reading, a CIA comedy co-starring Brad Pitt, Tilda Swinton (so great in Clayton), John Malkovich, and Frances McDormand. In addition to all that, he's got to fly around the world in a jet made of gold and make the women of the world swoon 24/7. So yeah, the guy's got a lot going on. In fact, he's just decided that he has toomuch going on.
Entertainment Weekly is reporting that Clooney has just dropped out of Joe Carnahan'sWhite Jazz, a gritty tale of police corruption set in 1950s Los Angeles. Clooney was set to star in the independent film, which is based on the James Ellroy (L.A. Confidential) novel. White Jazz was expected to begin filming early next year, and was scheduled for a 2009 release date. Grant Heslov, Clooney's producing partner, says "It just simply came down to scheduling. George continues to believe in the project and in Joe." Clooney was set to be a producer on the film, and whether he'll remain involved in that capacity has not been announced. And those of you excited about the film, myself included, might not be too happy with this last sentence. According to a spokesperson at Warner Independent, where the film was set up -- White Jazz has dropped off its slate. Currently, there's no word from Carnahan, who, as of a couple days ago, was pretty pumped about starting production in January.
More folks have joined Angelina Jolie in Clint Eastwood's The Changeling, and pics of a 1920s Jolie have arrived online. (You can begin your happy dance ... now.) The Hollywood Reporter tells us that Jeffrey Donovan, Colm Feore and John Malkovich will join Jolie in this drama based on a real-life tale for Universal and Imagine. In the flick, Jolie plays a woman whose son goes missing in 1920s Los Angeles. When the wrong child is returned to her, she naturally freaks on law enforcement who then throw the gal into an insane asylum for disagreeing with them. And you think Britney Spears has it rough! Eventually, the kid admits to fraud, and the woman goes after the cops, the mayor and the city seeking changes in the insanity legislation. I'm sorry, but shouldn't a mother know who her child is? Weird.
Donovan will play the police captain, with Feore as the chief of police and Makovich as a reverend. Additionally, the first pics of Jolie on set in 1920s garb have arrived online, courtesy of Just Jared (who have roughly 15 shots of the gal). I'd say she looks pretty damn authentic (love the red lipstick), but that's me. The role seems like a perfect fit for Jolie, who won a best supporting actress Oscar for her role as a girl in a mental hospital in 1999's Girl, Interrupted. So we know she can play nutty. It also looks like they're prepping this one for a late Oscar run (it has Clint Eastwood's name on it -- why the heck not?), as it's currently set to be released on November 7, 2008.
Because how can you go to sleep tonight without checking out at least one picture of Brad Pitt. I know I can't, and I'm sure you ladies out there are thinking the same thing. Unfortunately (for some), this image is of Brad Pitt all bloodied up -- or, as Peter Griffin (as Han Solo) would say: "Looking all penisy." And is it just me, or does Pitt look to be doing his best Val Kilmer impersonation? This photo showed up in (I believe) the NY Post today (although it could be the Daily News; not sure, the guy reading it next to me on the train was being "all penisy" with his paper), and it's a scene from the Coen Bros. new film Burn After Reading.
In case it's tough to see in the pic to the right (click on it for a larger version courtesy of Just Jared), Pitt's nose is bloody and he's holding a bike helmet. And as much as I'd like to say he's doing his best "I'm George Clooney, and I just got run over by a 1999 Mazda in Jersey," something tells me that's not what this scene is about. Coincidentally, Clooney is co-starring alongside Pitt in Burn After Reading, which tells of a CIA agent ( John Malkovich) whose soon-to-be ex wife ( Frances McDormand) steals a disc containing his memoirs, but accidentally leaves it at the gym where Pitt, a trainer, finds it and thinks he can use it to blackmail Malkovich. Clooney, on the other hand, plays an assassin hired by the CIA to "clean up" the mess. Burn After Reading will most likely hit theaters sometime next year.
After Polar Express, you've got to gore things up a bit. Robert Zemeckis is soon to return with Beowulf, and now we've got another trailer to feast on at the official website -- one safely housed behind one of those age verification pages. This time around, we've got lots of Beowulf ranting, merged with lots of blood and death. Well, what looks like animated blood that is. With this trailer, we get to see some of Grendel's victims, plus some slow-mo, blood-filled action during a Grendel attack. At the very least, you can expect this to be completely over the top.
Stylistically, I think I prefer it's predecessor, Sturla Gunnarsson's Beowulf & Grendel, which came out last year. It's far from flashy, but it's got the fighting and the drama -- just in a less-sensational package. That being said, it's pretty hard to resist the names attached to this sucker. Beyond Zemeckis, there's Neil Gaiman and Roger Avary responsible for the screenplay, and then there's the cast. Angelina Jolie has seemed to make the biggest splash so far seeing that she's pretty nude as Grendel's Mother, but there's also Beowulf -- Ray Winstone from my loved Proposition, Anthony Hopkins as King Hrothgar, Robin Wright Penn as Queen Wealtheow, Alison Lohman as Ursula, John Malkovich as Unferth, and of course, Crispin Glover as Grendel. We'll finally get to see the whole package on November 16, but if you want some epic adaptations before then, check out Gunnarsson's version.