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Posts with tag BabyMama

'Speed Racer' Crashes at the Box Office



According to early estimates from Box Office Mojo, this summer's second big-budgeted extravaganza failed to pick up more than $20 million at the box office this weekend, with the poorly-reviewed comedy What Happens in Vegas finishing right behind in third. Of course, Iron Man took the top spot for a second week in a row with roughly $50 million, while Speed Racer -- which some projected to take home at least $30-40 million -- came in second with $20.2 million, as What Happens in Vegas slid into third with $20 million. Rounding out the top five were Made of Honor ($7.6 million) and Baby Mama ($5.7 million).

So what happened to Speed Racer? Part of the reason had to do with its targeted audience, which, supposedly, was kids, though kids weren't very familiar with the cartoon the film was based on. That, and the flick clocked in at over two hours -- a running time that's been mentioned a lot this weekend, as well as one that's way too long for a PG-rated kiddie adventure. That said, its PG-rating scared away those adults who grew up with the cartoon; people who, most likely, were looking for something a bit more skewed toward adults (especially when Iron Man came out the weekend before and kicked a whole lot of ass). Nevertheless, I'm pretty sure we can rule out that Speed Racer franchise at this point.

Coupla questions for ya: Why do you think Speed Racer failed to power across the finish line in spectacular fashion? Also, what happens to the Wachowski Brothers now? Will folks think twice before giving them $150 million and free reign?

The Rocchi Review -- With Erik Davis of Cinematical



What were the top films at this year's Tribeca Film Festival? What have been the breakout performances of this year's fest? What does Tribeca need to do to be even better next year? And finally, is the question of if Iron Man's box office will take a hit from Grand Theft Auto IV lazy journalism, or just plain stupid? Joining the Rocchi Review this week along with your regular host James Rocchi is Cinematical's Editor-in-Chief Erik Davis to talk about all these topics and much more. Cinematical's podcast is now available through iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:



As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.

Discuss: Is Hollywood Misogynistic?

In these supposedly progressive times, gender equality is one of those touchy issues relegated to the last paragraph of a trend piece nobody reads. When Katherine Heigl suggested to Vanity Fair that Judd Apatow's movies were sexist, the assertion came across like an after-the-fact shrug of acceptance. Ever the galvanizing provocateur, New York Times critic Manohla Dargis confronts the issue head-on with a thorough analysis of the gender bias in this year's summer blockbusters.

With "Iron Man, Batman, Big Angry Green Man" and other massive expressions of virility invading the box office, female roles appear to be relegated to the back of the multiplex. Dargis touches on the rumors that Warner Bros head Jeff Robinov believes no woman has been able to sell a movie since Julia Roberts (a point that Natalie Portman might contest, but not Paris Hilton) before sizing up numerous upcoming studio releases, with particular attention paid to Anna Faris, "who could be the next Judy Holliday but without the right material will, alas, probably end up the next Brittany Murphy." It's the kind of pronouncement that hits you in gut.

Continue reading Discuss: Is Hollywood Misogynistic?

Insert Caption: Iron Man

Welcome back to another edition of Insert Caption -- the game Robert Downey Jr. and Gwyneth Paltrow might be addicted to (we don't know them personally, but we definitely have a hunch)! Last week, we asked you to give us your breas ... er, best captions for a photo from the new movie Baby Mama, which hits theaters today. Congrats to all three of our winners; your captions were a real tit hit around the office.

1. "Careful, Kid, you'll suck your eye out" -- Ross J.

2. "Be careful! When you've got milk goggles on, every baby looks cute." -- Nathan T.

3. "This is cool and all, but why not just buy the milk?" -- Lou T.

See full image and all captions



Do you hear that? Smell it? Oh yes, it's summer -- and it's finally here (in movie form, that is)! This week on Insert Caption, we're gettin' our feet wet on a little film called Iron Man. You may have heard us talk about it once or twice before -- it's a small, character-driven piece about ... screw it -- it's friggin' IRON MAN! Now check this out: The 10 winning captions (yup, 10!) will fly away with one LG "the V" cell phone (pictured right, click to learn more) and one Iron Man poster. 10 phones. 10 posters. It's gonna be a BIG summer folks, so why not give away some equally-as-big prizes, right? We're exposing our round, shiny hearts to all of you in the hopes you'll reward us with humor in the comments below (we're such a cheap date) ...


Read the official rules for this contest

Cinematical Seven: Recent 'SNL' Triumphs



When I told a friend of mine that I was heading to a screening of Baby Mama, he immediately replied: "Oh, the Saturday Night Live movie?" Hmm -- well, sort of. The comedy -- which premiered at Tribeca and goes wide this weekend -- was produced by SNL honcho Lorne Michaels, and stars show veterans Tina Fey and Amy Poehler. On the other hand, it's not based on an SNL sketch, and doesn't feature any characters from the show.

Baby Mama's pre-release reputation as a "Saturday Night Live movie" probably isn't helpful: movies falling into that category don't have the best track record in the minds of people who pay attention. At the same time, the show has contributed a lot to the movies, mostly in its capacity as a breeding ground for comedic talent. This installment of Cinematical Seven collects films with an SNL connection that have actually been good, or in some way significant. I limited the pool to the last ten years; we all know that The Blues Brothers and Wayne's World are classics that started out as SNL sketches, but what has the show done for us lately?

Continue reading Cinematical Seven: Recent 'SNL' Triumphs

Tribeca Junket Report: Baby Mama

Toina Fey and Amy Poehler in Baby Mama

Last week, at the ever-so-swanky Ritz-Carlton near Central Park, Universal held a press conference for its upcoming feature, Baby Mama, which opens the Tribeca Film Festival tonight. Who participated? None other than stars Tina Fey, Amy Poehler and Sigourney Weaver, along with writer-director Mike McCullers.

Fey and Poehler were first, and they spoke to reporters together. They met on the Chicago improv circuit fifteen years ago, performing together in a group called Inside Vladimir (named after a gay porn movie, apparently).

"I had heard about Tina -- on the streets! -- before I met her," said Poehler. "We both had moved from where we were going to college to study improv. We were the two women on that improv team and that's where we were when we met. We met when we were big eyebrowed, poor, badly dressed ducklings."

The chemistry between the longtime friends was evident not only in the movie itself, but also during the press conference; they were able to very easily joke around and go back and forth without stepping on each other's toes. And, of course, since both are improvisational experts, they came up with very funny lines instantly, like when a reporter asked Poehler if she has any desire to be a mother. The answer is in the following audio clip:

Amy Poehler wants to be an Oscar winner's mother (0:14)

More quotes and audio after the jump.

Continue reading Tribeca Junket Report: Baby Mama

Tribeca Review: Baby Mama

Baby Mama

The first time I heard the term "Baby Mama" was probably on either Maury or Jerry Springer (don't laugh... you hear a lot of things as you're flipping over to PBS). It and its male equivalent, "Baby Daddy," essentially describes a person with whom you've had a child, but no other relationship currently exists. It used to be street slang, but in a movie world where pregnancy of all types seems to be the hot, go-to topic (Juno, Knocked Up), the whole "baby mama" thing was sure to come up at some point. I just never thought it would come from Tina Fey and Amy Poehler.

In Baby Mama, which opens the Tribeca Film Festival tonight and arrives nationwide on April 25, Fey plays Kate Holbrook, a successful vice president of a Whole Foods-esque organic supermarket chain. She's got the great job and the stunning Philadelphia apartment, but at 37, she longs for something more. You guessed it: Kate wants kids, and doesn't want to wait until she gets married to have them. One little problem: her chances of actually having a child are one in a million ("I just don't like your uterus," is what Kate's fertility doctor, played by The Daily Show's John Hodgman, tells her).

Continue reading Tribeca Review: Baby Mama

Cinematical's Tribeca Fest Coverage Starts ... Now!



I always love that feeling in my stomach the day before I venture off to cover a massive film festival. It's kinda like I want to throw up ... good vibes. All good vibes. (And a little bit of last night's spaghetti dinner.) Anyway, if you've been reading Cinematical for awhile now, you already know the drill. For all those newbies out there, for the next week or so, myself, Scott Weinberg and Joel Keller (who we briefly stole from TV Squad) will be crashing the 2008 Tribeca Film Festival; reviewing films, interviewing those involved, taking lots of pictures and filing scene reports live from the greatest city on the planet earth: New York City (I'm bias because it's also my hometown).

We'll kick things off in just a little while with a review of tonight's opening film, Baby Mama, as well as a report from that flick's recent press junket. Starting tomorrow through about May 4th, we'll dash from screening to screening, interview to interview, party to party -- and, if we're lucky enough to have a spare minute or three, you'll hear all about it. Feel free to let us know if you'd like us to cover a particular film, and we'll get on that bad boy STAT. Sit back, relax and enjoy Cinematical's coverage of the 2008 Tribeca Film Festival.

Box Office: Deception at Guantanamo Bay

Everyone who took part in last week's competition, myself included, failed to foresee The Forbidden Kingdom outdoing Forgetting Sarah Marshall, but the martial arts actioner was the clear winner. Prom Night held on to third place, content in the knowledge that it had already earned back its $20 million budget last week. Here's the rundown:

1. The Forbidden Kingdom: $20.9 million
2. Forgetting Sarah Marshall: $17.3 million
3. Prom Night: $9.1 million
4. 88 Minutes: $6.8 million
5. Nim's Island: $5.7 million

Opening this week, we have:

What's It All About: Tina Fey plays an executive dying to be a mother, and when she finds out she's unable to conceive, she must turn to a flaky but fertile Amy Poehler
Why It Might Do Well: Fey is awesome on 30 Rock, and though I usually get flack for saying this, I thought the Fey/Poehler Weekend Update team on SNL was one of the best in the show's history. And with a supporting cast that includes Sigourney Weaver, Steve Martin and Maura Tierney, I am so there. The 88% fresh rating from Rottentomatoes.com is icing on the cake.
Why It Might Not Do Well: The poster is so darn zany I could just puke.
Number of Theaters: 2,500
Prediction:
$18 million

Continue reading Box Office: Deception at Guantanamo Bay

Tina Fey and Amy Poehler Go Unscripted



You enjoyed them for a long time on Saturday Night Live, and then one of these girls ran off to do her own show (the nerve!). But now Tina Fey and Amy Poehler are back together AND on the big screen in Baby Mama, which arrives in theaters on April 25. Both women sat down for one of those nifty Moviefone Unscripted segments recently -- ya know, the one where they interview each other with questions you submitted (through this very blog), as well as their own. Above you can check out an exclusive clip from their chat that's not included in the actual Unscripted installment. (And yes, to that boy picking his nose in the back corner -- that does mean you can only view it here on Cinematical.)

In Baby Mama, Tina Fey plays a straight-laced New York yuppie who desperately wants a baby, but is unable to conceive. Her only option is to bring on a surrogate mother (Poehler), but problems arise when that surrogate acts more like a child than a baby mama. So head on over to Moviefone's Unscripted area to check out their chat, which includes all kinds of tasty tidbits like what Amy Poehler wore to her prom, as well as which male celebrity Tina Fey would choose as her surrogate. Oh yes, it gets nasty. Enjoy.

The Rocchi Review -- With David Fear of Time Out New York!



What are the most anticipated movies at this year's Tribeca Film Festival? And has that (relatively) young festival in fact found a voice yet? And what does Tribeca's premiering Baby Mama and Speed Racer at this year's fest say about the uneasy relationship between high art and big headlines in New York's media world? Plus, what the end of New Line Cinema says about the state of the industry, and can Warner Brothers market The Dark Knight while still honoring Heath Ledger? Joining us this week on The Rocchi Review to talk about Tribeca and summer entertainment is film critic David Fear of Time Out New York as we discuss all of the above and more ... Cinematical's podcast content now has even better sound quality, and is now in iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:



As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.

Insert Caption: Baby Mama

Welcome back to another fun-filled edition of Insert Caption -- the game Totally Wicked Awesome Magazine called, "Delightful, Delicious and a Damn Good Time!" Last week we asked you to give us your bestest captions for a photo from this week's new release, The Forbidden Kingdom -- starring Jackie Chan, Jet Li and some white kid, who, judging from the picture, is quite obviously stuck in the middle with you ... and I'm wondering what it is I should do. Clowns to the left of me, Jokers to the right ... okay, that's enough. Congrats to our three winners below ...


1. "The MPAA's ongoing battle with illegal movie downloads in China as an interpretive dance routine." -- Todd G.

2. "This is my dance space, this is your dance space. Spaghetti arms!" -- Kathi F.

3. "Oh I know this! Wax on! Wax ggghhhhttt!" -- Paul R.

See full image and all captions


And speaking of things stuck in the middle, this week we're catching up with our old SNL pals Tina Fey and Amy Poehler as they prepare to launch their new comedy, Baby Mama. The three winning captions this week will carry away one Baby Mama poster, one Baby Mama t-shirt, one Baby Mama baseball hat and one Baby Mama baby blanket. (One Baby Mama baby unfortunately not included since you have to make that yourself.) Now push ... harder ... and sound off below!



Read the official rules for this contest

Ask 'Baby Mama' Stars Tina Fey and Amy Poehler a Question

Baby MamaAn upwardly mobile career woman wants to have a baby -- but she's fertility-challenged; so she enlists the help of a surrogate, who's unexpectedly free-spirited, immature, quick to speak her mind and nothing at all like the aspiring mama-to-be.

Sound a little like ... Juno? Well, sort of, only sort of not, since Baby Mama was written and directed by veteran Saturday Night Live scribe Michael McCullers -- and, most importantly, stars former and current SNL regulars Tina Fey (as the career woman) and Amy Poehler (as the free-livin' surrogate). Expect more laughs, more physical comedy, less indie music -- and of course, a whole bushel of Fey and Poehler, two of the most gifted comic actors working today.

OK, so maybe the Juno reference was a stretch (it's Monday, cut me some slack). It's more like if Liz Lemon wanted to have a baby and hired ... well, any character Amy Poehler's ever played. It's Fey's first big-screen starring role, and we're eager to see what she does with it when Baby Mama opens on April 25.

Fey and Poehler have signed on to interview each other for Moviefone's Unscripted series, and we need your questions to make it happen. Please submit a question for either Tina Fey or Amy Poehler (or double your chances, and submit one for each!) by this Friday, April 11; then come back here on April 21 to see if your question made the cut. Don't forget to include your first name and the city and state where you live. Good luck.

Trailer Park: This Changes Everything



Having a baby, meeting extraterrestrials, losing your cat: these are all jumping off points after which -- for good or ill -- your life is never quite the same again. This week we're looking at trailers for films that show big changes.

Doomsday
Yeah, I've got to imagine the end of the world will change everything. At the very least, you won't have to go to work tomorrow, and to hell with that car payment. When a lethal plague devastates a large section of England, the area is walled off for decades. When the plague resurfaces, a special team is dispatched inside the quarantined area to look for a cure. This is from director Neil Marshall, whose last two films -- The Descent and Dog Soldiers -- I loved. The Mad Max influence is obvious, but it also brings to mind all the Italian-made Mad Max knock-offs from the 80s, of which there were so many that they became a genre unto themselves. There's also a fair amount of Escape From New York evident here, and our heroine Rhona Mitra (pictured above) recalls Kate Beckinsale in the Underworld movies. I'm getting lots of deja vu here, with nothing really striking me as original. I'll probably see this based on Marshall's credentials, but the trailer doesn't sell me. Here's Scott's take.

Baby Mama
Tina Fey plays a successful business woman who wants a baby, and she hires a working class woman played by Amy Poehler to be her surrogate. Between Knocked Up, Juno and Waitress, it's been a big year for pregnancy comedies, and I have to wonder if Hollywood has gone to the well once too often with this one. I loved Fey and Poehler on Saturday Night Live, and Fey's 30 Rock is a riot, but this trailer isn't grabbing me. Like Doomsday, if I see this one, it will be on the basis of the reputation of the people involved and not the preview. Here's Erik's take.

Continue reading Trailer Park: This Changes Everything

'Inkheart' Suffers Big Postponement

Here's a strange twist to the writer's strike, and a postponement excuse we haven't heard before: New Line has pushed back Inkheart from March 2008 to January 2009 because of what the strike is doing to the television industry. Huh? According to Variety, the studio figures that without first-run programs on TV, it can't reach enough viewers through commercials, which is apparently the only way to market a movie these days.

OK, I kind of get it, but I hardly ever watch TV, and I've seen about 1,000 TV ads for Cloverfield this week, so there has to be a way to reach an audience by the original release date of March 18. They could have bought some time during the Super Bowl or the Oscars or, since its a family fantasy, any children's program. Seriously, kids don't care if their show is in repeats or not. I'm not going to go the usual route and accuse Inkheart of having production troubles. Judging by the trailer and Erik's visit to the film's set last year, the movie looks and sounds like it's a lot of fun, and anyway, it's reportedly all finished and ready to deliver to theaters. But since the TV marketing excuse seems odd, I'll assume that New Line is simply trying to figure out how to market a movie that could be accepted as just another fantasy movie and go mostly ignored by the same public that didn't go to see The Golden Compass or The Seeker: The Dark is Rising.

Those of you who need your Brendan Fraser fix need not cry for too long. The actor can still be seen in New Line's Journey to the Center of the Earth 3D, which comes out July 11, and Universal's The Mummy: Tomb of the Dragon Emperor, out August 1.

In other release date news, New Line has also pushed back Pride and Glory, which stars Edward Norton and Colin Farrell (which I remember them filming in Brooklyn back in Summer 2005), from March 14 to sometime in 2009, though the reasoning behind this one may have had more to do with Norton and Farrell having other new releases coming out soon, than it had to do with the writer's strike effect on TV ads. Meanwhile, Universal has moved up its Judd Apatow-produced comedy Forgetting Sarah Marshall so that it doesn't have to go up against Sex in the City (which New Line will have no problem advertising on television) and Starship Dave (which I can't imagine really being a threat to anyone). Forgetting Sarah Marshall will now bow on April 18, which should perfectly fit in with some college kids' spring break. The same studio also pushed back its Baby Mama one weekend, from April 18 to April 25.

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