While I'm still not convinced that North American audiences are ready for the strange genius that is Steve Coogan, at least they will get the chance to have a little taste. The first poster for Andy Fleming's comedy Hamlet 2 has arrived in our inbox (see to the right, and click to enlarge). So in case anyone was confused, the poster (and R-rated trailer) makes it clear that this movie is going to be packed to the brim with poop jokes.
Coogan stars as a hapless drama teacher in danger of losing his job. In an attempt to drum up some interest in his drama class, he writes the sequel to Hamlet. Now, as any good English student knows, everyone dies at the end of Hamlet (oops, 400-year- old spoiler alert), so where can you go from there? It turns out you make a politically incorrect musical with numbers like Rock Me, Sexy Jesus.
In these supposedly progressive times, gender equality is one of those touchy issues relegated to the last paragraph of a trend piece nobody reads. When Katherine Heigl suggested to Vanity Fairthat Judd Apatow's movies were sexist, the assertion came across like an after-the-fact shrug of acceptance. Ever the galvanizing provocateur, New York Times critic Manohla Dargis confronts the issue head-on with a thorough analysis of the gender bias in this year's summer blockbusters.
With "Iron Man, Batman, Big Angry Green Man" and other massive expressions of virility invading the box office, female roles appear to be relegated to the back of the multiplex. Dargis touches on the rumors that Warner Bros head Jeff Robinov believes no woman has been able to sell a movie since Julia Roberts (a point that Natalie Portman might contest, but not Paris Hilton) before sizing up numerous upcoming studio releases, with particular attention paid to Anna Faris, "who could be the next Judy Holliday but without the right material will, alas, probably end up the next Brittany Murphy." It's the kind of pronouncement that hits you in gut.
Amy Poehler certainly didn't look pregnant when she showed up for a chat at the Apple store in Soho last weekend (as part of a series of talks taking place during the Tribeca Film Festival), but in retrospect, the Baby Mama star had the sprightliness of a gal with a special secret. Along with moderator and Saturday Night Liveco-star Fred Armisen, Poehler really worked the room, gently mocking the crowd ("I think all these guys are waiting to get into the Genius bar") while slipping in occasional hints that she actually has an authentic strategy behind her career.
"I would like to do more serious acting," she said, not mentioning her recent voiceover work for Hoodwinked 2: Hood vs. Evil. "I've been doing sketch comedy for a long time, and it'd be nice to turn the volume down a little bit and try other stuff. I have a secret desire to be on Law & Order, but I wish I could be on an old Law & Order, with Jerry Orbach." Armisen, somewhat facetiously, said he would never tire of comedy. "It's like eating to me," he claimed.
When I told a friend of mine that I was heading to a screening of Baby Mama, he immediately replied: "Oh, the Saturday Night Live movie?" Hmm -- well, sort of. The comedy -- which premiered at Tribeca and goes wide this weekend -- was produced by SNL honcho Lorne Michaels, and stars show veterans Tina Fey and Amy Poehler. On the other hand, it's not based on an SNL sketch, and doesn't feature any characters from the show.
Baby Mama's pre-release reputation as a "Saturday Night Live movie" probably isn't helpful: movies falling into that category don't have the best track record in the minds of people who pay attention. At the same time, the show has contributed a lot to the movies, mostly in its capacity as a breeding ground for comedic talent. This installment of Cinematical Seven collects films with an SNL connection that have actually been good, or in some way significant. I limited the pool to the last ten years; we all know that The Blues Brothers and Wayne's World are classics that started out as SNL sketches, but what has the show done for us lately?
Everyone who took part in last week's competition, myself included, failed to foresee The Forbidden Kingdom outdoing Forgetting Sarah Marshall, but the martial arts actioner was the clear winner. Prom Night held on to third place, content in the knowledge that it had already earned back its $20 million budget last week. Here's the rundown: 1. The Forbidden Kingdom: $20.9 million 2. Forgetting Sarah Marshall: $17.3 million 3. Prom Night: $9.1 million 4. 88 Minutes: $6.8 million 5. Nim's Island: $5.7 million
What's It All About: Tina Fey plays an executive dying to be a mother, and when she finds out she's unable to conceive, she must turn to a flaky but fertile Amy Poehler Why It Might Do Well: Fey is awesome on 30 Rock, and though I usually get flack for saying this, I thought the Fey/Poehler Weekend Update team on SNL was one of the best in the show's history. And with a supporting cast that includes Sigourney Weaver,Steve Martin and Maura Tierney, I am so there. The 88% fresh rating from Rottentomatoes.com is icing on the cake. Why It Might Not Do Well: The poster is so darn zany I could just puke. Number of Theaters: 2,500 Prediction: $18 million
You enjoyed them for a long time on Saturday Night Live, and then one of these girls ran off to do her own show (the nerve!). But now Tina Fey and Amy Poehler are back together AND on the big screen in Baby Mama, which arrives in theaters on April 25. Both women sat down for one of those nifty Moviefone Unscripted segments recently -- ya know, the one where they interview each other with questions you submitted (through this very blog), as well as their own. Above you can check out an exclusive clip from their chat that's not included in the actual Unscripted installment. (And yes, to that boy picking his nose in the back corner -- that does mean you can only view it here on Cinematical.)
In Baby Mama, Tina Fey plays a straight-laced New York yuppie who desperately wants a baby, but is unable to conceive. Her only option is to bring on a surrogate mother (Poehler), but problems arise when that surrogate acts more like a child than a baby mama. So head on over to Moviefone's Unscripted area to check out their chat, which includes all kinds of tasty tidbits like what Amy Poehler wore to her prom, as well as which male celebrity Tina Fey would choose as her surrogate. Oh yes, it gets nasty. Enjoy.
Welcome back to another fun-filled edition of Insert Caption -- the game Totally Wicked Awesome Magazine called, "Delightful, Delicious and a Damn Good Time!" Last week we asked you to give us your bestest captions for a photo from this week's new release, The Forbidden Kingdom -- starring Jackie Chan, Jet Li and some white kid, who, judging from the picture, is quite obviously stuck in the middle with you ... and I'm wondering what it is I should do. Clowns to the left of me, Jokers to the right ... okay, that's enough. Congrats to our three winners below ...
1. "The MPAA's ongoing battle with illegal movie downloads in China as an interpretive dance routine." -- Todd G.
2. "This is my dance space, this is your dance space. Spaghetti arms!" -- Kathi F.
3. "Oh I know this! Wax on! Wax ggghhhhttt!" -- Paul R.
And speaking of things stuck in the middle, this week we're catching up with our old SNL pals Tina Fey and Amy Poehler as they prepare to launch their new comedy, Baby Mama. The three winning captions this week will carry away one Baby Mama poster, one Baby Mama t-shirt, one Baby Mama baseball hat and one Baby Mama baby blanket. (One Baby Mama baby unfortunately not included since you have to make that yourself.) Now push ... harder ... and sound off below!
An upwardly mobile career woman wants to have a baby -- but she's fertility-challenged; so she enlists the help of a surrogate, who's unexpectedly free-spirited, immature, quick to speak her mind and nothing at all like the aspiring mama-to-be.
Sound a little like ... Juno? Well, sort of, only sort of not, since Baby Mama was written and directed by veteran Saturday Night Live scribe Michael McCullers -- and, most importantly, stars former and current SNL regulars Tina Fey (as the career woman) and Amy Poehler (as the free-livin' surrogate). Expect more laughs, more physical comedy, less indie music -- and of course, a whole bushel of Fey and Poehler, two of the most gifted comic actors working today.
OK, so maybe the Juno reference was a stretch (it's Monday, cut me some slack). It's more like if Liz Lemon wanted to have a baby and hired ... well, any character Amy Poehler's ever played. It's Fey's first big-screen starring role, and we're eager to see what she does with it when Baby Mama opens on April 25.
Fey and Poehler have signed on to interview each other for Moviefone's Unscripted series, and we need your questions to make it happen. Please submit a question for either Tina Fey or Amy Poehler (or double your chances, and submit one for each!) by this Friday, April 11; then come back here on April 21 to see if your question made the cut. Don't forget to include your first name and the city and state where you live. Good luck.
It was over two years ago that we got the first installment of Hoodwinked! It did well enough in its first weekend, making $17 million dollars ($3 mil short of its cost), that #2 was put into the works. Now writer and voice Cory Edwards has been blogging about the second installment, and has listed the cast that Weinstein Co. has put together. Some voices remain, like Glenn Close, David Ogden Stiers, and Andy Dick. Oh, and we can't forget Patrick Warburton -- but it's not like anyone, ever, could replace him.
But there are also some new names to the mix. Red, who was voiced by Anne Hathaway, will now get the invincible hero Hayden Panettiere -- which Edwards says is a good fit because Red becomes "more of a 'caped crusader'" in the film. Meanwhile, James Belushi's The Woodsman will now be voiced by the unstoppable Jack Putter -- Martin Short. You can't really complain about a Short replacement, unless well, he was taking over for a rippling, glistening superhero -- then it would be weird.
But there's also some tasty new vocal talent coming along for the ride. Edwards says Joan Cusack will play a "villainous witch," Brad Garrett is The Giant (of the beanstalk variety), Wayne Newton of all people will be Jimmy Ten Strings -- the Giant's singing harp, David Alan Grier will play a troll, and to top it all off, Amy Poehler and Bill Hader will voice Hansel & Gretel. How's that for an all-star cast?
So it's no secret that Steve Carell hasn't always made the best choices when it comes to movie roles. The same could probably be said of some of Jim Carrey's choices as well, so there could be a lot riding on both their reputations for the big-screen adaptation of the classic Dr. Seuss story, Horton Hears a Who!. Erik had brought us the first teaser back in July and now a full feature trailer has been released.
Horton is based on the 1954 children's story about a microscopic world that gains an elephant as their protector. Over the years the story's moral of "a person's a person no matter how small" has been interpreted as a response to the McCarthy anti-communist era and the importance of treating the "least of us" with a little care and respect -- pretty heavy for a kid's book, I know, but it does make me long for the days when children's entertainment had more going for it than tie-in deals. The film stars Carell as the feisty mayor of Whoville and Jim Carrey as their elephant advocate. The film has a solid supporting cast that includes some truly hilarious people; namely Will Arnett, Seth Rogen, Jonah Hill, Amy Poehler, and Carol Burnett.
So even if you are not the biggest fan of kid's movies, after watching this trailer, you can't deny this is one snazzy looking movie with some big-name comedic talent. But I guess everyone said the same thing about Bee Movie, and we all know how that turned out. Horton Hears a Who! arrives in theaters on March 14th, 2008.
Considering what a convincing badass Sigourney Weaver is, it's easy to forget that the lady can be funny. The Hollywood Reporter announced that Weaver is in talks to sign on to the Tina Fey and Amy Poehler comedy Baby Mama. Last month, Erik had news that the film was set to start shooting in NYC, so I guess the addition of Weaver is going to be the final piece of the puzzle. Written by Michael McCullers (an alum of SNL along with Fey and Poehler), the story focuses on a career woman with baby ambitions (Fey) who decides on the surrogate route. Weaver is angling to play the owner of the agency that represents Poehler's character. The premise might not sound hilarious on paper; but, I am a big enough fan of both Fey and Poehler, that I have some pretty high expectations of how funny it could be.
Weaver has just finished work on the assassination drama Vantage Point, and will be providing the voice of the narrator in the animated film The Tale of Despereaux. But of course, the real news is her work on the highly-anticipated James Cameron film Avatar. Since Baby Mama is already scheduled to have started production, it looks like it could be a quick shoot or a relatively small part for the actress to fit into her schedule. Weaver has done a handful of comedies over the years, with varying success. Some of the high points include Ghostbusters and Galaxy Quest, but there has also been the occasional miss. I'll keep my fingers crossed that Baby Mama is not going to be one of the misses.
There seem to be two distinct camps where the Shrek movies are concerned: The people who unabashedly love these sweetly silly revisionist fairy tales -- and the people who consider Shrek and Shrek 2 astonishingly overrated pieces of CGI goofiness that certainly didn't deserve their massive payouts. ($484 million and $920 million worldwide, respectively, and that doesn't include DVD sales.) Me, I fall firmly in the former camp: I'm a big fan of both Shrek flicks. I think they're light, witty, clever and stunningly animated family-style adventures -- but they're not over-scrubbed and ultra-sanitized like most of Disney's weaker attempts.
So obviously I'm pretty pumped to see Shrek the Third, and if this brand-new trailer is any indication, I'll probably be chuckling like a stoned monkey throughout most of this second sequel. The kids will go for the comedy, the characters and the colorful little adventures, but folks like me go for the cast: Mike Myers and Cameron Diaz have done some fine voice-work in the first two flicks, but I'm most fond of Eddie Murphy as Donkey, Antonio Banderas and Puss-in-Boots, and (of course) the immortal John Cleese as King Harold. (OK, so it's a small part, but just the sound of Cleese's voice makes me laugh.)
What I find most intriguing about Shrek the Third is its big list of newcomers: Ian McShane as Captain Hook? Eric Idle as Merlin the Wizard? John Krasinski as Sir Lancelot? Very cool! And get this line-up of prickly princesses: Cheri Oteri (Sleeping Beauty), Maya Rudolph (Rapunzel), Amy Poehler (Snow White) and Amy Sedaris (Cinderella)! How cool is that?! (Oh yeah, and Justin Timberlake as the young Prince Arthur, the only misstep that casting directors actually let Cameron Diaz talk them into made.) Anyway, fun stuff. New trailer here. The film opens May 18.
Kristin Cavallari, star of the vacuous yet incredibly popular reality show/drama Laguna Beach, is taking a page from Lindsay Lohan's playbook. Lohan had a hit on her hands with Mean Girls, in which she starred with several Saturday Night Live veterans, inluding screenwriter Tina Fey. Cavallari tells MTV News that she will be appearing in Spring Breakdown, with SNL stars Rachel Dratch and Amy Poehler (one of the best Weekend Update hosts in the show's history, and -- surprise -- she was in Mean Girls). Dratch co-wrote the screenplay for the film which will also star Parker Posey and Amber Tamblyn.
According to Cavallari, "It's a comedy about girlfriends that missed out on spring break because they were losers in high school, and now they're older and they go on a college spring break." Cavallari will play one of the "bitchy, mean girls," bringing to light yet another similarity to Lohan's film.
Again, the word vacuous comes to mind, but I hold out some hope because of Dratch and Poehler's involvement. Cavallari may get the young folks into the theater, but these two SNL vets provide the most hope for the film actually being entertaining. Posey has respectable comedy chops as well (check out a little-seen film called Clockwatchers if you don't believe me).
Hands up, who doesn't know that any movie about spring break exists entirely as an excuse to get nubile young women and hot frat boys to take off their clothes? Yeah, that's what I thought. But we can see that crap on MTV, pretty much 24-7. Plus, there's always Girls Gone Wild, right? So why the hell do people keep making spring break movies? Does anyone even go see them? Regarding the latter question, at least, Warner Brothers is fervently hoping the answer is a resounding yes: They're producing Spring Breakdown, another dumb-sounding spring break movie with a cast that just might be its saving grace.
Starring indie darling (and proud star of Blade: Trinity) Parker Posey, the incredibly funny Amy Poehler and someone named Rachel Dratch (according to the IMDb, she's been on SNL since 1999, and is in A.S.S.S.S.C.A.T. with Poehler), the movie has a plot that any of us could accurately guess, based only on those names. Yep, it's about some thirtysomething women who try to shake things up by going on vacation to a spring break hot-spot. Say it with me now: Yawn. The thing is, though, that at least Posey and Poehler could be hilarious in a movie like this, if they're allowed to show that they're in on the joke -- if the script lets them mock the pathetic absurdity of the whole venture, it actually could be pretty good. If not? Parker Posey, you are dead to me.
The movie starts shooting in the spring break haven of LA later this summer.
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While I'm still not convinced that North American audiences are ready for the strange genius that is Steve Coogan, at least they will get the chance to have a little taste. The first poster for Andy Fleming's comedy Hamlet 2 has arrived in our inbox (see to the right, and click to enlarge). So in case anyone was confused, the poster (and R-rated trailer) makes it clear that this movie is going to be packed to the brim with poop jokes.
In these supposedly progressive times, gender equality is one of those touchy issues relegated to the last paragraph of a trend piece nobody reads. When 
It was over two years ago that we got the first installment of 
So it's no secret that 
Considering what a convincing badass 
There seem to be two distinct camps where the Shrek movies are concerned: The people who unabashedly love these sweetly silly revisionist fairy tales -- and the people who consider 
Kristin Cavallari, star of the vacuous yet incredibly popular reality show/drama Laguna Beach, is taking a page from Lindsay Lohan's playbook. Lohan had a hit on her hands with 
Hands up, who doesn't know that any movie about spring break exists entirely as an excuse to get nubile young women and hot frat boys to take off their clothes? Yeah, that's what I thought. But we can see that crap on MTV, pretty much 24-7. Plus, there's always Girls Gone Wild, right? So why the hell do people keep making spring break movies? Does anyone even go see them? Regarding the latter question, at least, 
