Don't mess with a man's best friend! I'm borrowing that phrase from our own Eric D. Snider, who used it to describe the plot of Red, a thriller starring the great Brian Cox as a man on a mission to avenge the death of his beloved dog at the hands of a bunch of teenage punks.

As Eric noted, Magnolia Pictures picked up distribution rights for the movie and planned a late summer release. Well, it must be later than we thought, because Dread Central now tells us that Red will be unleashed to theaters in New York and Los Angeles on Friday, August 8, followed by a "slow rollout" to more theaters nationwide.

"An emotionally gripping if slightly overwrought drama," is how Eric described Red in his review from Sundance, where the film premiered. Later he called it "a solid B-minus effort, and Cox's performance makes it eminently watchable." In addition to Cox, the cast includes Tom Sizemore as a bad father, Kim Dickens as a TV reporter, and Robert Englund and Amanda Plummer as white trash parents of one of the juvenile delinquent kids responsible for the death of the titular dog.

I've loved Brian Cox in many roles (Braveheart to Manhunter to 25th Hour to X2: X-Men United to Zodiac), so I have to believe he's a major plus for audiences looking for something a little different in August. How about you? Do you have any interest in seeing the Cox-avenging Red?

As with so many successful screenwriters, John August's work might be more familiar to you than his name. He wrote Go, Charlie's Angels, and a trio of Tim Burton films -- Big Fish, Charlie and the Chocolate Factory, and Corpse Bride -- before making the mind-bending indie flick The Nines (pictured). He directed it, too (his first feature in that capacity), so he had even more personal attachment to it when it premiered at the Sundance Film Festival in 2007.

A few days ago, August posted an entry on his blog in which he dissects his experience with The Nines and uses it to shine some light on the nerve-racking, dog-eat-dog world of independent filmmaking. Clearly this business is not for the faint of heart. He lists what he calls "the Graduating Class of 2007," 21 buzz-generating films from Sundance that year, including his own. All but one were bought by distributors ... and almost all of them totally tanked at the box office.

That's not very encouraging, especially considering these were the cream of the Sundance crop. Only five on his list made more than $1 million in theaters, and many didn't even crack $100,000. The Nines (which was pretty decent, by the way, definitely worth checking out) got a cursory theatrical release in a couple cities, where it made a paltry $63,165, then eventually found its way to DVD.

Cinematical has received this exclusive clip from Gonzo: The Life and Work of Dr. Hunter S. Thompson, a new documentary written and directed by a very talented friend of ours, Alex Gibney (Taxi to the Dark Side, Enron: The Smartest Guys in the Room). The film, which premiered back at the Sundance Film Festival, chronicles, well, the life and times of Dr. Hunter S. Thompson (Fear and Loathing in Las Vegas); Gonzo journalist, author, psychedelic supporter and all-around nutty dude. James reviewed the film back at The Dance, and said: " ... Gibney's documentary captures Thompson's bizarre orbit though American letters and politics with extensive use of archival footage but also through recreations, animation and more." IMDb has it at a 9.2 rating out of 10, and Rotten Tomatoes is showing 82% so far for a film I know a lot of people are anticipating. If there's one man you'd want to see a documentary about, it's Thompson. I'm definitely looking forward to this one. You? (For more, also check out James' audio interview with Gibney.)

Gonzo: The Life and Work of Dr. Hunter S. Thompson hits theaters on July 4th.

On Sunday, I got really, really excited about going to see the documentary Trouble the Water, which was playing in Brooklyn as part of the Sundance @ BAM series. But when I went to buy my tickets on Moviefone, the single showtime was sold out. "Oh well," I thought. "I'll just see it when it's officially released to theaters." Then I discovered that, despite winning the non-fiction Grand Jury Prize at this year's Sundance Film Festival and despite garnering tons of great reviews, including one from New York Times critic Manohla Dargis calling it "one of the best documentaries in recent memory," the film had no domestic distributor.

Two days later, I'm finally relieved. According to The Hollywood Reporter, the Hurricane Katrina doc has been picked up by Zeitgeist Films for a platform release beginning August 22. Fans of the film (including our own Kim Voynar, who picked it as her favorite at Sundance -- read her review here) should be happy that it will at least receive Oscar-qualifying runs in NYC and LA, because everyone who's seen it seems to agree that it will definitely get a nomination. Those of us who haven't seen it should also be happy that it's likely to be given a proper expansion, at least to the major U.S. cities.

Trouble the Water was directed by longtime doc producers Carl Deal and Tia Lessin (Fahrenheit 9/11) and depicts the tragic events of Hurricane Katrina mostly through the eyes and camcorder of Kimberly Roberts and Scott Roberts, who shot footage before, during and after the storm and its subsequent effects.

For an emerging filmmaker, the Sundance Film Festival provides a starting point for the life span of a feature-length work. There's a far greater sense of immediacy, however, for the filmmakers involved in the shorts program, where a wide variety of material tends to begin circulating the festival world before fading into complete obscurity. That's why the short films that screened yesterday as part of the third annual Sundance Institute at BAM (Brooklyn Academy of Music) signified the most important aspect of the two-week event: With few exceptions, the films on display received the kind of exposure that helped validate this frequently neglected format. While some of the titles are available on iTunes, many that were shown to a packed house finally got the long-delayed reception they deserved.

Animated efforts almost always offer the best ingredients in any shorts program, since it's here that you'll find a combination of inspired side projects from gainfully employed studio animators and the works of struggling independent artists. The latest program couldn't beat the sheer brilliance of cult animator Don Hertzfeldt's short Everything Will Be Ok in last year's showcase, but two particularly memorable films left distinct impressions this time around.

Time to play catch up with a couple of indie distribution deals that were completed during the past few days.

In the warm afterglow of Cannes, IFC Films acquired one more title to add to their stockpile, according to The Hollywood Reporter: Italian crime drama Gomorra. Directed by Matteo Garrone, the film is based on a best-selling book and follows five separate stories. "Set in the provinces around Naples," wrote our own James Rocchi, "Gomorra's a sweeping, stirring drama that has the shoot-and-loot tension of the best crime cinema but also has the scope and serious intent of great drama." Gomorra won the Grand Prix at Cannes, which is unofficially considered the "runner-up" prize. IFC plans a theatrical release and will also make it available day-and-date on its video-on-demand service; they are also seeking a cable TV deal of some sort.

Months after it debuted at Sundance, indieWIRE says that Sean McGinley's comedy-drama The Great Buck Howard has finally secured distribution from Magnolia Pictures. Cinematical's Scott Weinberg thought it "might be the most affectionate look back at old-school entertainment since Peter O'Toole boozed his way through My Favorite Year" and called it "a smoothly, strongly appealing comedy." Colin Hanks and Emily Blunt star as an ex-lawyer and a publicist, respectively, trying to help magician Malkovich make a comeback. Magnolia plans a fall theatrical release.

Last night I had the pleasure of attending the opening night premiere of American Teen (in theaters July 25) as part of the third annual Sundance Institute at BAM (Brooklyn Academy of Music). The Sundance fav launched an eleven-day festival of sorts, showcasing the best of the best from this year's Sundance Film Festival; 22 features and 36 shorts in total, plus filmmaker Q&As, parties, art installations and tons of Brooklyn hipster-watching.

The screening itself was completely sold out and held inside the gorgeous BAM Howard Gilman Opera House, where, conveniently, free popcorn and bottles of water were handed out at the door. And as my wife pointed out after we sat down: "They're smart -- free things always put a person in a good mood before a film." Indeed! Before the curtain rose on American Teen, a number of folks approached the mic for some words, while the crowd cheered every time 'Brooklyn' was used in a sentence. The speakers included BAM President Karen Hopkins, Sundance executive director Ken Brecher, Brooklyn Borough President (and an awesome guy) Marty Markowitz, Katherine Oliver, Commissioner of the NYC Mayor's Office of Film, Theatre & Broadcasting, BAM Cinema Club Chairs Maggie Gyllenhaal and Peter Sarsgaard, and, finally, American Teen director Nanette Burstein (sporting a very pregnant belly) and one of the film's teenage stars, Hannah Bailey (pictured above).

Check out a gallery from the premiere, the film and the prom-themed after party below -- then head after the jump for my thoughts on American Teen. (All pictures courtesy of the fine folks at the Sundance Institute and Paramount Vantage.)

It's been clear for several weeks now that the independent distribution company THINKfilm has been suffering from some money troubles. Around the time the Cannes Film Festival kicked off this month, blogger AJ Schnack assembled reports from various sources that the company owed a lot of money to many different places. Now, Nikkie Finke reports that Allied Advertising Ltd. filed a lawsuit in Los Angeles Superior Court today against THINKfilm owner David Bergstein, claiming that THINKfilm failed to pay for Allied's advertising services in a timely manner, while the distributor pretended that wasn't the case. A serious problem indeed.

It's a little unfair, however, for Allied to complain about THINKfilm's decision to continue doing what they do best -- buying films. The lawsuit says that the company embarked on a "lavish film licensing buying spree at various film festivals around the world," rather than exclusively focusing on paying off debt. It's worth noting that THINKfilm remained fairly withdrawn at Cannes this year, and while they did pick up theatrical rights for Marina Zenovich's Roman Polanski: Wanted and Desired at Sundance, the film already had a television deal in place with HBO. Meanwhile, the company has dropped Battle in Seattle, which it originally purchased at the Toronto Film Festival. The "buying spree" sounds like needless exaggeration on Allied's part. Whatever the case, given THINKfilm's track record (they did guide Ryan Gosling to his Half Nelson Oscar nod), one hopes they'll survive this nasty legal snafu.

For those who live in and around the New York City area, tonight the Sundance Institute launches their very popular series at BAM (Brooklyn Academy of Music), in which they'll screen a whole bunch of films (22 features, 36 shorts) from this year's festival over the course of the next eleven days. Yours truly will be in attendance this evening for American Teen, followed by a prom-themed after party. A doc about teens? The prom? I'm soooo there!

Other films of note that will be screening include Man on Wire, Gonzo: The Life and Work of Dr. Hunter S. Thompson, Choke, Frozen River, Captain Abu Raed, American Son, Anvil! The Story of Anvil and Ballast, among others. This Sunday, Cinematical's Eric Kohn will be on hand for Sundance Shorts Sunday, featuring 12 hours of short film programs, Q&As with filmmakers and more. He'll report back on what he sees, hears, learns, etc.

They're screening some excellent films this year and I believe tickets are still available for most, so definitely swing by the official website and check out the scene. Sundance Institute at BAM runs from May 29 through June 8. (And if you make it down there tonight, do say hello!)

The last time I saw my awesome amigo Nacho Vigalondo, it was at a Sundance party during which he was A) very thrilled to have his film play the festival, B) mega-elated that writer/producer Steven Zaillian would be involved in the English-language remake of his film (Timecrimes), and C) seriously drunk and hanging out with an overworked karaoke machine. When I pressed him for additional details, he said something to the effect of "I don't know yet, but .... Steve SALE-IAN, man! He wrote Bobby Fischer and Gangs of New York, man..." To which I responded, "Yeah, dude. Damn good writer. Plus Schindler's List, A Civil Action, American Gangster, and the awesome Falcon and the Snowman!"

The drunken Spaniard's eyes went absolutely wide: "Steve SALE-IAN is remaking my movieeeee!" He was like a little kid on Christmas morning, I swear. It was an awesomely sweet thing to see. But since we weren't really sure about Mr. Zaillian's specific attachment to the remake, this fresh news is also pretty exciting. Wouldn't it be cool if the Timecrimes remake had a Steve Zaillian screenplay and a director named ... David Cronenberg?? (I've seen Timecrimes more than once, and I think Mr. Cronenberg would be a perrrrrrrrfect fit for this time-travel / serial killer material.)

The United Artists re-do is still in the very early stages, so we could see a lot of personnel changes before the American version of Timecrimes hits the scene -- but given how positive the reaction has been among festival audiences, flick-buyers, and remake makers, we might just see it a little sooner than later. In the meantime, keep an eye out for the original film, which is a favorite among the Magnolia gang, and should be getting a release some time later this year.

Gracias: Shock and Blogdecine

While I'm still not convinced that North American audiences are ready for the strange genius that is Steve Coogan, at least they will get the chance to have a little taste. The first poster for Andy Fleming's comedy Hamlet 2 has arrived in our inbox (see to the right, and click to enlarge). So in case anyone was confused, the poster (and R-rated trailer) makes it clear that this movie is going to be packed to the brim with poop jokes.

Coogan stars as a hapless drama teacher in danger of losing his job. In an attempt to drum up some interest in his drama class, he writes the sequel to Hamlet. Now, as any good English student knows, everyone dies at the end of Hamlet (oops, 400-year- old spoiler alert), so where can you go from there? It turns out you make a politically incorrect musical with numbers like Rock Me, Sexy Jesus.

Joining Coogan in the cast are Catherine Keener, David Arquette, and Amy Poehler. With comedy talent like that, how can you go wrong? A cut of the film screened at Sundance back in January, and earned the film the highest bidding price since Little Miss Sunshine. But unlike Sunshine, something tells me Hamlet 2 won't be grabbing an Oscar nod.

Hamlet 2 is scheduled for wide release on August 28th.

Ryan Fleck and Anna Boden's Sugar, the follow-up to their critically acclaimed Half Nelson, has finally been picked up for distribution. Variety's Mike Jones reports the film has been acquired for theatrical distribution by Sony Pictures Classics, which seems like a good fit for the film. HBO Films, which financed the film, retains television rights.

Sugar, which premiered at Sundance earlier this year, felt at the time like a tough sell after Half Nelson; it still does. The film, which is subtitled, tells the tale of a young baseball star from the Dominican Republic who crashes after getting moved up to the big leagues. It's really very much a coming-of-age kind of tale about this young boy who grew up poor but talented, always believing baseball to be his one ticket out.

I told you a couple weeks ago how THINKFilm had picked up the gritty prison thriller The Escapist, and how the film, which stars Brian Cox, was the last thing I saw at Sundance this year. Well, I actually had a double helping of Cox that January night, because right before The Escapist I watched Red, another film boasting a terrific Cox performance -- and now it's headed for theaters, too.

Via The Hollywood Reporter we learn that Magnolia has picked up Red, with plans to release it late this summer. The film (which I reviewed here) is a thriller along the lines of Death Wish, only instead of avenging his wife's murder, the Cox character is going after the punks who killed his dog. (Do not mess with a man's dog!)

Cinematical has just received this exclusive poster for the film Baghead (click on the image to enlarge), written and directed by two very good friends of this site, Jay and Mark Duplass. Baghead marks the brothers' second feature-length film and follow-up to the very funny (but very uncomfortable) 2005 flick The Puffy Chair. Starring Ross Partridge, Elise Muller, Steve Zissis and my personal fav Greta Gerwig, Baghead tells of four struggling actors who retreat to a cabin in the woods in an attempt to write a screenplay they can produce and star in themselves. Will they succeed or will their personal relationships crumble? Oh, and is there really a stranger with a bag over his head lurking in the shadows, tracking the group's every move?

Baghead premiered to all sorts of great buzz back at Sundance, where our own James Rocchi said it "has warmth and innovation, and the mischievous good sense to subtly make fun of the type of film that it is." As Mark Duplass told us when we interviewed the boys during Sundance, "Baghead is a movie about the funny, horrific, tragic, terrible life of being a desperate actor." Needless to say, we highly recommend it.

Baghead arrives in theaters on June 13, after making a stop at the Tribeca Film Festival later this month.

One of the more buzzed-about flicks coming out of Sundance this year was Hamlet 2, starring the very funny Steve Coogan as a drama teacher who, with no other ideas, attempts to rally his Tucson, Arizona students around a politically incorrect musical sequel to Shakespeare's Hamlet -- featuring a song called (I kid you not) "Rock Me, Sexy Jesus." Hamlet 2 also marked one of first and biggest sales at the festival, with Focus Features snatching it up for a reported $10 million. Was it worth that amount?

Well, Moviefone just debuted an R-rated (aka Red Band) trailer for Hamlet 2 that, truth me told, looks kinda funny. Unfortunately, I did not have the chance to see it at Sundance, so all I have to go on is James' not-so-nice review, AICN's very nice review and word of mouth, which, so far, seems to be fairly positive (see more praise from Entertainment Weekly and Rolling Stone). Hey, any film that features the Devil making out with the President of the United States during a wacky theatrical production of a sequel-ized Shakespeare play is okay in my book. Hamlet 2 stars Coogan, Catherine Keener, David Arquette and Melonie Diaz. It was directed by Andrew Fleming and it's due out in theaters on August 22.

Whatcha think?